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Artist/Maker
C. Lavern Kelley
(American, 1928 - 1998)
Date1987
MediumWhite pine with enamel paint and plastic
DimensionsOverall: 12 3/4 × 7 1/4 × 18 in. (32.4 × 18.4 × 45.7 cm)
Credit LinePurchased with funds donated by D. Roger Howlett, Class of 1966
Object number1989.22
On view
DescriptionC. Lavern Kelley spent his life working on his family’s farm twenty miles south of Cooperstown, NY. His work primarily consists of wood carvings depicting the farmers, animals, and farm equipment typical of 1940s and ’50s rural America. His work is inspired by the agricultural community that shaped his life. Although carving and modeling were hobbies from a young age, it wasn’t until the 1980s when Kelley was in his late fifties that his wood carvings began to be considered of artistic value, to his own surprise. Hamilton College’s Emerson Gallery, the predecessor to the Wellin Museum of Art, became one of the first institutions to exhibit Kelley’s work in 1989. His work gained popularity and regard for its folk art character and resonant evocation of mid-century American farm culture. Kelley’s carving are now considered a later incarnation of the American Regionalist style exemplified by the work of Thomas Hart Benton, John Steuart Curry, and Grant Wood (SOURCE: Wellin Museum permanent collection label, Summer 2016).
Collections
Additional Details
Alternate Titles
Holstein and Proud Owner
Exhibition History
2024-2025
Clinton, NY. The Ruth and Elmer Wellin Museum of Art, Hamilton College. "Menagerie: Animals in Art from the Wellin Museum," September 7, 2024 –June 8, 2025 (no cat.).
2017
Livingston Manor, NY (Catskill Art Society), Lavern Kelley, Farmer/Artist: A Retrospective, July 1 - 30, 2017 (cat., illustrated p. 48);
2015
Cooperstown, NY (Fenimore Art Museum). "Lavern Kelley: The Art of the Farm," September 19 - December 31, 2015 (no catalog);
2012
Clinton, NY (Ruth and Elmer Wellin Museum of Art, Hamilton College). "Archive Hall: Art and Artifacts," October 6, 2012 - August 2013 (no catalog);
1989
Clinton, NY (Fred L. Emerson Gallery, Hamilton College). "A Rural Life: The Art of Lavern Kelley," February 12 - March 26, 1989 (cat. no. 183, illus., cover).
Clinton, NY. The Ruth and Elmer Wellin Museum of Art, Hamilton College. "Menagerie: Animals in Art from the Wellin Museum," September 7, 2024 –June 8, 2025 (no cat.).
2017
Livingston Manor, NY (Catskill Art Society), Lavern Kelley, Farmer/Artist: A Retrospective, July 1 - 30, 2017 (cat., illustrated p. 48);
2015
Cooperstown, NY (Fenimore Art Museum). "Lavern Kelley: The Art of the Farm," September 19 - December 31, 2015 (no catalog);
2012
Clinton, NY (Ruth and Elmer Wellin Museum of Art, Hamilton College). "Archive Hall: Art and Artifacts," October 6, 2012 - August 2013 (no catalog);
1989
Clinton, NY (Fred L. Emerson Gallery, Hamilton College). "A Rural Life: The Art of Lavern Kelley," February 12 - March 26, 1989 (cat. no. 183, illus., cover).
Provenance
February 1989: Hamilton College (Fred L. Emerson Gallery), purchased from Gallery 53 Artworks, Cooperstown, NY
Published References
William Salzillo, A RURAL LIFE: THE ART OF LAVERN KELLEY (exh. cat. Clinton, NY, Fred L. Emerson Gallery, 1989), illus., cover, cat. no.183.
Emerson Gallery, Hamilton College, Friends of Art Newsletter, vol. 1, no. 3, April 1990, "Acquisitions"
Emerson Gallery, Hamilton College, Friends of Art Newsletter, vol. 1, no. 3, April 1990, "Acquisitions"
Inscribed
Title inscribed on top of base: HOLSTIEN {sic} AND PROUD OWNER
Marsden Hartley
Date: c. 1933-34
Medium: Oil on cardboard
Object number: 1986.18
Walker Evans
Date: 1935, printed later
Medium: Gelatin silver print
Object number: 2005.2.1
Henri Gaudier-Brzeska
Date: c. 1913
Medium: Seravazza and Sicilian marble
Object number: 2005.6.2
Lucas Foglia
Date: 2006
Medium: Archival inkjet print
Object number: 2020.8.20
Bill McDowell
Date: 2015
Medium: Archival inkjet print
Object number: 2020.8.6
Renée Stout
Date: 2008-10
Medium: Acrylic, latex paint, spray paint, plastic rhinestones, wood, glass, metal, varnish, collage, and found objects
Object number: 2016.2