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Artist/Maker
Paul Almásy
(French-Swiss, born Hungary, 1906 – 2003)
Date1961
MediumVintage ferrotyped gelatin silver print
DimensionsImage: 8 × 9 3/16 in. (20.3 × 23.4 cm)
Sheet: 8 × 9 3/16 in. (20.3 × 23.3 cm)
Credit LineGift of Thomas J. Wilson and Jill M. Garling, P2016
Object number2025.30.25
Not on view
DescriptionThe Newspaper That "Breeds" Readers: Illiteracy is a major obstacle to the countries of Latin America on the path to overall cultural and economic progress and forms a barrier to the development of the newspaper industry. A demand for general education is perceived as an urgent necessity in all countries. Governments are using funds wherever available to fight against illiteracy. Private companies as well as international organizations are also providing aid to the governments and local communities of Latin America. In Colombia, the number of adults who can neither read nor write is estimated at around 40%. The percentage of illiterate people here, as in all other countries, is very high, especially among the rural population. Despite their mass illiteracy, the large masses show an increasing hunger for education. Lectures and documentaries are highly valued and anyone able to save a few pesos buys a radio. Interest in reading of all kinds, especially for newspapers, is also widespread, but in many areas of the country there is still no opportunity to learn to read. In Colombia, a country with more than 12 million inhabitants, 36 daily newspapers are published, but all together only have a total of 797,000 copies in circulation. These newspapers, which appear in Bogota and in eleven major provincial towns, can hardly attract subscribers and readers in the smaller towns and in the country because people simply cannot read. The requirement of "alphabetization"-- in Latin America "alphabetization" is the name of the campaign that serves the purpose of teaching adults to read and write-- is in the interest of the press, so recently some publishers have come up with the idea of their own lessons! Editor-in-chief of the El Espectador Alvaro Monroy Caicedo gives personal lessons here.
Collections
Additional Details
Markings
Verso, bottom, middle (stamp): "ALMASY"
Inscribed
Verso, bottom, right, (pencil): "2025.30.25"
Verso, top, left (pencil): "PAL-1156.2"
Verso, top, left (pencil in a circle): "No.4, 12,4 x 10,7 72.7 x 11,2"
Verso, middle right (green colored pencil): "5, pet.7" underlined. Crossed out in pencil.
Verso, top, left (pencil): "PAL-1156.2"
Verso, top, left (pencil in a circle): "No.4, 12,4 x 10,7 72.7 x 11,2"
Verso, middle right (green colored pencil): "5, pet.7" underlined. Crossed out in pencil.
Paul Almásy
Date: 1961
Medium: Vintage ferrotyped gelatin silver print
Object number: 2025.30.23
Paul Almásy
Date: 1961
Medium: Vintage ferrotyped gelatin silver print
Object number: 2025.30.26
Paul Almásy
Date: 1961
Medium: Vintage ferrotyped gelatin silver print
Object number: 2025.30.29
Thomas Nast
Date: published May 8, 1875
Medium: Wood engraving on newsprint
Object number: 2019.13.282
Robert Rauschenberg
Date: 1970
Medium: Offset lithograph
Object number: 1992.19
George Catlin
Date: 1845
Medium: Hand-colored lithograph on paper
Object number: 1959.127
Thomas Nast
Date: published March 20, 1875
Medium: Wood engraving on newsprint
Object number: 2019.13.276
George Catlin
Date: 1845
Medium: Color lithograph on paper
Object number: 1959.125
Michael Rakowitz
Date: 2020
Medium: Middle Eastern food packaging, Arabic-language U.S. newspapers, and glue, with accompanying didactic information
Object number: 2021.5.5
George Catlin
Date: 1845
Medium: Color lithograph on paper
Object number: 1959.115
Thomas Nast
Date: 1892
Medium: Ink and graphite on paper with collaged elements
Object number: 1944.1.75

