Capitalizing on Communism

Skip to main content
© Andrea Robbins and Max Becher. Image courtesy of Light Work, Syracuse, NY. For educational pu…
Capitalizing on Communism
© Andrea Robbins and Max Becher. Image courtesy of Light Work, Syracuse, NY. For educational purposes only.
Artist/Maker (American, born 1963)
Artist/Maker (German, born 1964)
Publisher
Date1998
MediumArchival inkjet print
DimensionsImage: 8 × 10 in. (20.3 × 25.4 cm) Sheet: 11 × 13 in. (27.9 × 33 cm)
Credit LinePurchase, The Wynant J. Williams '35 Art Collection Fund
Object number2020.8.2
Not on view
Description"Andrea Robbins was born in 1963, Boston, MA. Max Becher was born in 1964, Düsseldorf, Germany. Both received their BFA at Cooper Union in 1986. Andrea attended Hunter College School of Art in New York City, and Max received his MFA from Mason Gross School of the Arts, Rutgers University, New Brunswick, NJ. They are unique in that they are artists who are married, and have collaborated for twenty years. Andrea Robbins and Max Becher are artists who make photo-based conceptual work on the subject of the “transportation of place.” Max teaches in the Digital Media Area of the School of Art and Art History at the University of Florida. Andrea teaches in the photography department at the University of Florida with an emphasis on the conceptual meaning behind formal conventions. Andrea and Max have taught at the Cooper Union and various other institutions." (SOURCE: Light Work, Syracuse, NY)

Additional Details

Provenance 2020: Hamilton College (Ruth and Elmer Wellin Museum of Art), by purchase from Light Work, Syracuse, NY.
Markings No markings noted.
Signature Signed and dated "Andrea Robbins Max Becher 1998" on verso at lower left in pencil.
Inscribed "46/75" on verso at lower left in pencil.
Photograph by John Bentham.
Plate XI, from the series "Elephant Skull"
Henry Moore
Date: 1969 (published 1970)
Medium: Etching
Object number: 1988.21
© Dickinson Estate. Image courtesy of the Ruth and Elmer Wellin Museum of Art at Hamilton Colle…
Artist's Hand Holding Children's Drawings
Edwin W. Dickinson
Date: February - March 1940
Medium: Oil on canvas
Object number: 2016.8.1
© Linda Adele Goodine. Image Courtesy of Light Work, Syracuse, NY. For educational purposes onl…
O’ Mistress Mine
Linda Adele Goodine
Date: 1986
Medium: Cibachrome
Object number: 2020.8.19
© Candia Höfer, Köln / VG Bild-Kunst, Bonn. Image courtesy of Sean Kelly, New York. For educati…
Teatro Comunale di Bologna I
Candida Höfer
Date: 2006
Medium: Chromogenic print
Object number: 2019.2
Marsh with Two Herons
Marsh with Two Herons
Clarence Joseph Tibado
Date: 1953
Medium: Pastel on paper
Object number: 1971.20
Photograph by John Bentham.
Madonna II
Elizabeth Catlett
Date: 1992
Medium: Screenprint
Object number: 2017.1
Photograph by John Bentham.
Rest on the Flight into Egypt
Elisabetta Sirani
Date: c. 1655-65
Medium: Etching
Object number: 2004.4
Photograph by John Bentham.
Untitled, from the portfolio "Four X Four X Four"
Mel Bochner
Date: 1990
Medium: Screenprint
Object number: 2003.12.1.4
Photography by David Revette.
Untitled, Philadelphia, from the portfolio “Party Pictures”
William E. Williams
Date: 1981 (published 1985)
Medium: Gelatin silver print
Object number: 1992.1.2
Untitled, plate 582 from the series "Animal Locomotion"
Untitled, plate 582 from the series "Animal Locomotion"
Eadweard Muybridge
Date: c. 1884-87 (published 1887)
Medium: Collotype on paper, mounted on board
Object number: 2011.8.4
© Lorna Simpson. Image courtesy of the Ruth and Elmer Wellin Museum of Art, Clinton, NY. Photog…
Details
Lorna Simpson
Date: 1996
Medium: Portfolio of 21 photogravures with text printed on 30C (300 lbs.) Somerset paper.
Object number: 2016.11
Figures in a Wooded Landscape
Figures in a Wooded Landscape
Daniel Huntington
Date: 1867
Medium: Oil on canvas
Object number: 2004.7