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© Estate of Joyce McDaniel. Photo by Mark DiOrio.
Untitled
© Estate of Joyce McDaniel. Photo by Mark DiOrio.
Artist/Maker (American, 1936 – 2021)
Date1994
MediumCollage and print on dressmaker pattern paper
DimensionsSheet: 14 × 11 in. (35.6 × 27.9 cm)
Credit LineTransferred from the Hamilton College Collection
Object number2025.9.10
Not on view
DescriptionFrom the portfolio forward: "Joyce McDaniel, born in Oklahoma City, received her MA in Art History from Wellesley College and MFA from Tufts University and the School of the Museum of Fine Arts where she now teaches. Recent exhibitions include Baston (In Dialogue) Now at Boston's Institute of Contemporary Art in 1994, and Why Artists' Books? at the Houghton Library, Harvard University, 1993. Her work is in the collections of the Rose Art Museum, Brandeis University, and the Addison Gallery of Ameri­can Art, Andover, MA. McDaniel's Sculptors' Edition piece continues her work with dressmaker pattern paper. Here she has focused on the pattern's translucent quality and ability to express the visual layering of personal and meta­phorical connections. Black lines, arrows, directions, her own text, and echoes of an absent steel mesh are revealed through a fragile but richly textured surface."
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Additional Details

Signature Recto, bottom right (black ink): "Joyce McDaniel"
Inscribed Recto, bottom left (black ink): "46/50"
Recto, bottom right (black ink): "'94"
© Estate of William Wainwright. Photo by Mark DiOrio.
Diminishing
William Wainwright
Date: 1994
Medium: Metal disc surfaced with a pattern of diffraction grating
Object number: 2025.9.18
© Marla Sweeney. Image courtesy of Light Work, Syracuse, NY. For educational purposes only.
Brothers, South Boston Beach
Marla Sweeney
Date: 2003
Medium: Archival inkjet print
Object number: 2020.8.22
© Andrea Robbins and Max Becher. Image courtesy of Light Work, Syracuse, NY. For educational pu…
Capitalizing on Communism
Andrea Robbins
Date: 1998
Medium: Archival inkjet print
Object number: 2020.8.2
© Atong Atem. Image courtesy of Light Work, Syracuse, NY. For educational purposes only.
Fruit of the Earth
Atong Atem
Date: 2016
Medium: Archival inkjet print
Object number: 2021.9.1
Untitled
Untitled
Michelle Grabner
Date: 2016
Medium: Bronze
Object number: 2017.5
© Elias Sime. Image courtesy of James Cohan Gallery.
Tightrope: Familiar Yet Complex 2
Elias Sime
Date: 2016
Medium: Reclaimed electronic components and insulated wire on panel
Object number: 2017.2
Photograph by John Bentham.
Grotesque Ornaments
Christoph Jamnitzer
Date: published 1610 (possibly printed later)
Medium: Engraving
Object number: 1928.11
Photograph by John Bentham.
Oil lamp with raised geometric pattern
Date: 6th-8th century C.E.
Medium: Terracotta
Object number: 2015.6.49
Photograph by John Bentham.
Black-on-red ware amphora (storage jar)
Unknown artist, Greek (Ancient)
Date: c. 750-600 B.C.E.
Medium: Terracotta with slip
Object number: 2015.6.2
Image Not Available for N’est-il pas vrai.., brave turco..., que vous préférez les Francaises aux Africaines? (Isn't it true, brave Turco..., that you prefer French women to African women?), no. 100 from the series "Actualités (Current Events)"
N’est-il pas vrai.., brave turco..., que vous préférez les Francaises aux Africaines? (Isn't it true, brave Turco..., that you prefer French women to African women?), no. 100 from the series "Actualités (Current Events)"
Honoré Daumier
Date: published August 31, 1859
Medium: Lithograph on newsprint
Object number: 1986.10
Portfolio box for Sculptors' Edition: Boston Sculptors at Chapel Gallery
Portfolio box for Sculptors' Edition: Boston Sculptors at Chapel Gallery
Date: 1994
Medium: Wood
Object number: 2025.9.1-18HO
Venado
Venado
Celia Vasquez Yui
Date: 2021
Medium: Coil-built pre-fire slip-painted clay with vegetal resins
Object number: 2022.8.1