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Artist/Maker
Henry Horenstein
(American, born 1947)
Date1995-2001
MediumCibachrome
DimensionsImage: 19 1/2 × 13 1/4 in. (49.5 × 33.7 cm)
Sheet: 20 × 16 in. (50.8 × 40.6 cm)
Credit LineGift of Thomas J. Wilson and Jill M. Garling, P2016
Object number2019.18.14
On view
DescriptionHenry Horenstein’s Animalia series features extraordinary sepia images of animals, including this photograph of a seemingly beatific beluga whale. Horenstein intentionally focused on the animal itself, working with macro lenses and close-up filters, minimizing any sense of a surrounding habitat and printing in monochrome to emphasize the beauty and strangeness of the creature depicted. As wildlife and amateur photographers know, capturing a great image of an animal, particularly in the wild, can be challenging. According to Horenstein, he “took the path of least resistance and shot only in zoos and aquariums.” He humorously notes that he appreciated the creature comforts of “a food court, bathrooms, and WiFi,” but most importantly these institutions gave him relatively close, easy access to animals. In the introduction to his book Animalia (2008) Horenstein wrote, “As subjects, animals are close to perfect for a photographer, especially if they live in zoos and aquariums. If it rains, or if the light is against you, you can come back the next day. Your subjects can’t go far. ... Miss the shot? They will swim back your way if you’re just patient.”
Modern Western zoological institutions tend to emphasize education, conservation, and the protection of endangered species. Nevertheless, debates continue regarding the ethics of keeping wild animals in captivity for public display. Animals have been captured and collected for exhibition since ancient times, and the title of this exhibition references the private menageries kept by wealthy individuals to demonstrate their power and sophistication. Contemporary zoos and aquariums are the descendants of the modern zoological parks and gardens that emerged in Europe in the late eighteenth century, and
became increasingly popular through the nineteenth and into the twentieth century. For most, they remain the only places where one might have a close encounter with rare and exotic creatures and be able to witness their behavior first-hand. In the past, circuses also enabled the public to see lions, tigers, elephants, and other unusual creatures, but modern Western circuses tend to no longer feature animals. Debates around the morals and ethics underlying zoological institutions will undoubtedly continue, with standards of animal welfare remaining a serious issue.
Collections
Additional Details
Exhibition History
2024-2025
Clinton, NY. The Ruth and Elmer Wellin Museum of Art, Hamilton College. "Menagerie: Animals in Art from the Wellin Museum," September 7, 2024 –June 8, 2025 (no cat.).
Clinton, NY. The Ruth and Elmer Wellin Museum of Art, Hamilton College. "Menagerie: Animals in Art from the Wellin Museum," September 7, 2024 –June 8, 2025 (no cat.).
Provenance
2019: Hamilton College (Ruth and Elmer Wellin Museum of Art), by gift of Thomas J. Wilson and Jill M. Garling.
Published References
Illustrated in Henry Horenstein, Creatures (Boston, MA: Pond Press; St. Paul, MN: distributed by Consortium Book Sales, 1999), 3.
Signature
Signed on verso in ink.
Inscribed
Verso, lower left (pencil): "HH-1094"
Verso, lower left (pencil): "1800"
Verso, lower left (pencil): "1800"
Antoine-Louis Barye
Date: first cast 1857
Medium: Bronze
Object number: 1994.7
Celia Vasquez Yui
Date: 2021
Medium: Coil-built pre-fire slip-painted clay with vegetal resins
Object number: 2022.8.1
Celia Vasquez Yui
Date: 2021
Medium: Coil-built pre-fire slip-painted clay with vegetal resins
Object number: 2022.8.2
Zana Briski
Date: 2020
Medium: Unique gold-toned photogram on gelatin silver paper
Object number: 2024.12.1
Thomas Nast
Date: published February 6, 1875
Medium: Wood engraving on newsprint
Object number: S2019.2.103
Antoine-Louis Barye
Date: first cast 1857
Medium: Bronze
Object number: 1994.14
Antoine-Louis Barye
Date: c. 1895 (first cast c. 1860)
Medium: Bronze
Object number: 1994.17
Antoine-Louis Barye
Date: modeled c. 1832
Medium: Bronze
Object number: 1994.21
Antoine-Louis Barye
Date: first cast 1857
Medium: Bronze
Object number: 1994.26