Fly Catcher

Skip to main content
© Julie Buffalohead. Courtesy of the artist and Jessica Silverman. Image courtesy of the Ruth a…
Fly Catcher
© Julie Buffalohead. Courtesy of the artist and Jessica Silverman. Image courtesy of the Ruth and Elmer Wellin Museum of Art at Hamilton College, Clinton, NY. Photo by Rik Sferra.
Artist/Maker (Ponca, born 1972)
Date2023
MediumOil on canvas
DimensionsOverall: 32 × 64 × 3 in. (81.3 × 162.6 × 7.6 cm)
Credit LinePurchase, William G. Roehrick '34 Art Acquisition and Preservation Fund
Object number2023.7
Not on view
DescriptionFrom the Jessica Silverman Gallery: In Fly Catcher, Buffalohead ruminates on a childhood memory of befriending a couple of pet house flies. Playing with this memory, a fantastic scenario is represented with various creatures interacting and floating within an in utero-like nether. Impossibly, Coyote has tamed two wild flies and has effectively leashed them with miniature collars. Opposite, the trickster takes the form of a rabbit brandishing a fly paper strip. Magpies, crows, garter snakes, downy woodpeckers, a chipmunk and an ermine are also indoctrinated in this pet menagerie, where umbilical cords connect the creatures to the womb. For the artist, the painting is a harkening back into early childhood memory. A time of disarray involving many moves between places and communities yields this snapshot, based on her encounters with critters that grew into a strong affinity. As she describes it "I was allowed as a kid to have these imaginary relationships with real animals." Even chastised for going so far as to naively lure wild squirrels into the house, the fondness and memory of these early years become gestated together during a time when she was not able to own actual house pets. Oh, and the flies were named Lovely and Dummy.  

Additional Details

Signature Verso, lower left corner: "2023 / Julie Buffalohead"
On to Richmond, from "Harper's Weekly"
Thomas Nast
Date: published June 18, 1864
Medium: Wood engraving on newsprint
Object number: 2019.13.59
To This We Should Return With the Least Practicable Delay, from "Harper's Weekly"
Thomas Nast
Date: published January 9, 1875
Medium: Wood engraving on newsprint
Object number: 2019.13.267
Image courtesy of the Ruth and Elmer Wellin Museum of Art at Hamilton College. Photo by John Be…
Unknown artist, Greek (Ancient)
Date: 490 B.C.E. - 461 B.C.E.
Medium: Silver
Object number: S2018.1.10
© Jamea Richmond-Edwards. Image Courtesy of Art+Culture Projects, Brooklyn, NY. For educational…
Jamea Richmond-Edwards
Date: 2018
Medium: Pigment print with silkscreen diamond dust and gold foil
Object number: 2020.1
Photograph by John Bentham.
Wendy Red Star
Date: 2016
Medium: Lithograph with inkjet print
Object number: 2016.18
Section of Contiguous pages 561 to 576
Thomas Nast
Date: published September 5, 1868
Medium: Wood engraving on newsprint
Object number: 2019.13.100
The Greatest Joke of the Century, from "Harper's Weekly"
Thomas Nast
Date: published June 20, 1874
Medium: Wood engraving on newsprint
Object number: 2019.13.244
Attic red-figure pyxis
Date: 450-400 BCE
Medium: Terracotta
Object number: 1929.32
Photograph by John Bentham.
Lyonel Feininger
Date: 1944
Medium: Oil on canvas
Object number: 2001.9
Grande Ballroom, Detroit, MI, October 29, 2008, from the series "Listen"
Rhona Bitner
Date: October 29, 2008 (printed 2013)
Medium: Chromogenic print mounted on aluminum
Object number: 2014.3.1
Margaret's Rhubarb, from the series "Some Fox Trails in Virginia"
Light Work, Syracuse, NY
Date: 2008 (printed 2010)
Medium: Pigmented inkjet print
Object number: 2012.1.2
Image courtesy of the Ruth and Elmer Wellin Museum of Art at Hamilton College, Clinton, NY. Pho…
Firelei Báez
Date: 2013
Medium: Pigmented abaca, cotton, and linen on abaca base sheet with radiograph opaque ink
Object number: 2016.7