Tattered Sunset, from the series "Sunsets and Blue Skies"

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© Nicola López and the LeRoy Neiman Center for Print Studies, Columbia University School of the…
Tattered Sunset, from the series "Sunsets and Blue Skies"
© Nicola López and the LeRoy Neiman Center for Print Studies, Columbia University School of the Arts. Image courtesy of the LeRoy Neiman Center for Print Studies, Columbia University School of the Arts. For educational use only.
Artist/Maker (American, born 1975)
Publisher
Date2018
MediumSugarlift with inket print, chine colle, and laser-engraving
DimensionsPlate: 13 3/4 × 2 3/4 in. (34.9 × 7 cm) Sheet: 20 1/2 × 17 7/8 in. (52.1 × 45.4 cm) Frame: 24 5/8 × 21 7/8 × 2 1/8 in. (62.5 × 55.6 × 5.4 cm)
Credit LinePurchase, The Edward W. Root Class of 1905 Memorial Art Purchase Fund
Object number2019.7.2
Not on view
DescriptionThe imagery found in the inkjet chine collé comes from the artist's archives of photographs she took of sunsets in New Mexico––López is from Santa Fe and wildfires out West have had drastic affects on the sunsets. López's use of laser-engraving in the print explores further the idea of man-made interference with nature or natural imagery.
Collections

Additional Details

Provenance 2018: Hamilton College (Ruth and Elmer Wellin Museum of Art), by purchase from the LeRoy Neiman Center for Print Studies, Columbia University School of the Arts.
Markings Blindstamp: [LeRoy Neiman Center blindstamp] at lower left corner.
Signature Signed and dated at lower right corner.
Inscribed "16/18" at lower left corner in pencil.
© Nicola López and the LeRoy Neiman Center for Print Studies, Columbia University School of the…
Shards, from the series "Sunsets and Blue Skies"
Nicola López
Date: 2018
Medium: Sugarlift with inket print, chine colle, and laser-engraving
Object number: 2019.7.1
© Craig Zammiello and the LeRoy Neiman Center for Print Studies, Columbia University School of …
Macrodontia
Craig Zammiello
Date: 2018
Medium: Photogravure, direct gravure, spit-bite, screenprint, collage on digital chine collé
Object number: 2019.7.4
© Craig Zammiello and the LeRoy Neiman Center for Print Studies, Columbia University School of …
Harlequin
Craig Zammiello
Date: 2018
Medium: Photogravure, direct gravure, spit-bite, screenprint, collage on digital chine collé
Object number: 2019.7.3
© Craig Zammiello and the LeRoy Neiman Center for Print Studies, Columbia University School of …
Goliath
Craig Zammiello
Date: 2018
Medium: Photogravure, direct gravure, spit-bite, screenprint, collage on digital chine collé
Object number: 2024.11.1
© Craig Zammiello and the LeRoy Neiman Center for Print Studies, Columbia University School of …
Hercules
Craig Zammiello
Date: 2018
Medium: Photogravure, direct gravure, spit-bite, screenprint, collage on digital chine collé
Object number: 2024.11.2
Photograph by John Bentham.
Florida Sunset on the Ocklawaha
William Henry Jackson
Date: published 1899
Medium: Photochrome
Object number: 2006.3
Sunset near Imperial, Nebraska
Sunset near Imperial, Nebraska
Arthur Rothstein
Date: March 1940 (printed later)
Medium: Gelatin silver print
Object number: 2015.12.40
Sunset on water
Sunset on water
Ilse Bing
Date: 1936
Medium: Gelatin silver print
Object number: 2019.18.9
Photograph by John Bentham.
Grotesque Ornaments
Christoph Jamnitzer
Date: published 1610 (possibly printed later)
Medium: Engraving
Object number: 1928.11
© Martin Wong Foundation and P.P.O.W. Image courtesy of the Ruth and Elmer Wellin Museum of Art…
Untitled (TIME)
Martin Wong
Date: 1983
Medium: Acrylic on canvas
Object number: 2023.1
Carte Reduite Du Golphe Du Mexique Et Des Isles De L'Amerique Pour servir aux Vaisseaux du Roy Dressee Au Dêpost Des Cartes et Plans de la Marine, Par Ordre de M. Le Comte de Maurepas. Annee 1749.
Carte Reduite Du Golphe Du Mexique Et Des Isles De L'Amerique Pour servir aux Vaisseaux du Roy Dressee Au Dêpost Des Cartes et Plans de la Marine, Par Ordre de M. Le Comte de Maurepas. Annee 1749.
Jacques-Nicolas Bellin
Date: 1749
Medium: Engraving with hand coloring
Object number: 1971.58
Si les chevaux s'entendaient? Quelle révolution! (If the horses get along? What a revolution!)
Si les chevaux s'entendaient? Quelle révolution! (If the horses get along? What a revolution!)
Nicolas Toussaint Charlet
Date: 1840
Medium: Lithograph on paper
Object number: 1988.8