Skip to main content
Artist/Makerattributed to
William Henry Jackson
(American, 1843 - 1942)
Datepublished 1899
MediumPhotochrome
DimensionsImage: 8 × 20 1/16 in. (20.3 × 51 cm)
Sheet: 8 × 20 1/16 in. (20.3 × 51 cm)
Credit LineGift of William E. Williams, Class of 1973
Object number2006.3
Not on view
DescriptionWilliam Henry Jackson’s eye for color emerged at the beginning of his career, when he worked as a colorist and retoucher for photographic studios on the East Coast. Intrigued by westward expansion, he traveled to Nebraska, set up a studio in Omaha, and began shooting along the Union Pacific Railroad. He was subsequently hired to accompany various expeditions of the United States Geological and Geographical Survey with the aim of documenting the country’s new territories. His photographs, along with those of Carleton Watkins and Eadweard Muybridge, among others, helped to create the aura of the American West. In the 1880s and 1890s, Jackson was hired by the fledgling railroads of Florida—and possibly its new luxury hotels as well—to document the state’s then-exotic wilderness in an effort to increase tourism and development and lend to Florida the mystique he had brought to the West. Several aspects of this photograph have led to its attribution to Jackson: its location and subject; the inclusion of certain compositional devices, such as the small boat containing three men; and the fact that it was published by the Detroit Photographic Company, of which Jackson was a partner. At the time the photograph was printed, Photochrom was considered the only successful means of producing color photographs; prior to its invention in the 1880s, black-and-white
photographs had been colored by hand. The Detroit Photographic Company was the first publisher in the United States to use the technique, which was actually a hybrid of photographic and lithographic printing techniques. (SOURCE: Alcauskas, INNOVATIVE APPROACHES, HONORED TRADITIONS, 2017)
Panoramic view of two men in a boat hunting birds.
Collections
Additional Details
Exhibition History
2017
Clinton, NY (Ruth and Elmer Wellin Museum of Art, Hamilton College). "Innovative Approaches, Honored Traditions: The Ruth and Elmer Wellin Museum of Art at Five Years, Highlights from the Permanent Collection," September 9 - December 10, 2017 (cat. no. 54, illus.);
2007
Clinton, NY (Fred L. Emerson Gallery, Hamilton College). "Highlights from the Permanent Collection," February 19 - April 15, 2007 (no catalog).
Clinton, NY (Ruth and Elmer Wellin Museum of Art, Hamilton College). "Innovative Approaches, Honored Traditions: The Ruth and Elmer Wellin Museum of Art at Five Years, Highlights from the Permanent Collection," September 9 - December 10, 2017 (cat. no. 54, illus.);
2007
Clinton, NY (Fred L. Emerson Gallery, Hamilton College). "Highlights from the Permanent Collection," February 19 - April 15, 2007 (no catalog).
Provenance
2006: Hamilton College (Fred L. Emerson Gallery), by gift of William E. Williams.
Markings
Stamps: gilt stamp "50110. FLORIDA. SUNSET ON THE OCKLAWAHA." at lower left; gilt stamp "COPYRIGHT 1899 BY DETROIT PHOTOGRAPHIC CO." at lower right.
Published References
Katherine D. Alcauskas, INNOVATIVE APPROACHES, HONORED TRADITIONS: THE RUTH AND ELMER WELLIN MUSEUM OF ART AT FIVE YEARS, HIGHLIGHTS FROM THE PERMANENT COLLECTION (Clinton, NY: Wellin Museum of Art, 2017), p. 138.
Signature
Not signed.
Inscribed
None noted.
Rhona Bitner
Date: October 29, 2008 (printed 2013)
Medium: Chromogenic print mounted on aluminum
Object number: 2014.3.1
Jamea Richmond-Edwards
Date: 2018
Medium: Pigment print with silkscreen diamond dust and gold foil
Object number: 2020.1
William E. Williams
Date: 2003–4 (printed 2007)
Medium: Gelatin silver print
Object number: 2008.5.3
Norman Bluhm
Date: 1961
Medium: Ink and casein on paper, mounted on Masonite
Object number: 1989.4
Christoph Jamnitzer
Date: published 1610 (possibly printed later)
Medium: Engraving
Object number: 1928.11
Sharon Lockhart
Date: 2008
Medium: Three chromogenic prints
Object number: 2014.1.a-c
Eugène Atget
Date: c. 1910, printed later
Medium: Gelatin silver print
Object number: 1982.11
Rhona Bitner
Date: August 25, 2015
Medium: Fujiflex print
Object number: 2024.7.8
Marsden Hartley
Date: c. 1933-34
Medium: Oil on cardboard
Object number: 1986.18
Date: c. 883-859 BCE
Medium: Gypsum with remnants of red pigment
Object number: 1868.5