The Capture of Abimael Guzmán

Skip to main content
The Capture of Abimael Guzmán
The Capture of Abimael Guzmán
Artist/Maker (Peruvian, born 1957)
Datec. 1992
MediumWood and boiled potato and gypsum powder paste with paint
DimensionsOverall (with doors open): 25 1/2 in. × 32 in. × 6 1/2 in. (64.8 × 81.3 × 16.5 cm) Overall (closed): 25 1/2 in. × 17 in. × 6 1/2 in. (64.8 × 43.2 × 16.5 cm)
Credit LinePurchase
Object number2024.6
On view
DescriptionOriginally from Peru and now based in Naples, Florida, Nicario Jiménez Quispe is known as the “Artist of the Andes,” and celebrated for his creation of Peruvian folk art retablos, which he often adapts in response to contemporary concerns and events. This retablo depicts the capture and imprisonment of Abimael Guzmán (1934–2021), a Peruvian revolutionary and guerilla leader who founded the Partido Comunista del Perú – Sendero Luminoso (Communist Party of Peru—Shining Path) in 1969—considered a terrorist organization by many governments. A third-generation retablo maker, Jiménez Quispe was born in Alcamenca, a small village in the Ayacucho region of Peru, which is home to the tradition of Peruvian folk art retablos—wooden boxes which open to reveal elaborately staged narratives, usually featuring biblical subjects. From 1980 the city of Ayacucho was used by the Shining Path as the base from which it launched attacks against the Peruvian government. Guzmán’s capture in 1992 marked a significant step in the government’s fight against the group and in Peru’s eventual return to normalcy. Guzmán appears in both the top and bottom registers of the work—shown both at the moment of his arrest and caged in his prison uniform, where he was displayed publicly for the first time before the national and international press. The figures are sculpted from a mixture of boiled potato and gypsum powder, which the artist manipulates using a wooden implement that resembles a large toothpick.
Collections

Additional Details

Provenance 1993: Hamilton College (Fred L. Emerson Gallery), by purchase from the artist.
Artwork is in the public domain. Image courtesy of the Ruth and Elmer Museum of Art at Hamilton…
Unknown artist, Peruivian (Cuzco School)
Date: late 17th-early 18th century
Medium: Oil on canvas
Object number: S2019.1.2
Artwork is in the public domain. Image courtesy of the Ruth and Elmer Museum of Art at Hamilton…
Unknown artist, Peruivian (Cuzco School)
Date: late 17th-early 18th century
Medium: Oil on canvas
Object number: 2019.12
Artwork is in the public domain. Image courtesy of the Ruth and Elmer Museum of Art at Hamilton…
Unknown artist, Peruivian (Cuzco School)
Date: mid 18th-late 18th century
Medium: Oil on canvas
Object number: S2019.1.1
Venado
Celia Vasquez Yui
Date: 2021
Medium: Coil-built pre-fire slip-painted clay with vegetal resins
Object number: 2022.8.1
Loro
Celia Vasquez Yui
Date: 2021
Medium: Coil-built pre-fire slip-painted clay with vegetal resins
Object number: 2022.8.2
Photograph by John Bentham.
Philip Guston
Date: 1966
Medium: Lithograph on paper
Object number: 1989.18
Photograph by John Bentham.
Lyonel Feininger
Date: 1944
Medium: Oil on canvas
Object number: 2001.9
Photograph by John Bentham.
Cecil Beaton
Date: 1944; published 1945
Medium: Gelatin silver print
Object number: 1982.15
Image courtesy of the Ruth and Elmer Museum of Art at Hamilton College, Clinton, NY. Photo by J…
Marion Greenwood
Date: c. 1927
Medium: Pencil on paper
Object number: 2018.10
Photograph by John Bentham.
William E. Williams
Date: 2003–4 (printed 2007)
Medium: Gelatin silver print
Object number: 2008.5.3
Photo by John Bentham.
Date: late 19th century
Medium: Ink, crayon and chalk on paper, mounted on silk
Object number: 1993.24
Photograph by John Bentham.
Teisai Hokuba
Date: c. 1830
Medium: Ink and mineral pigments on silk
Object number: 1985.47