Three-panel screen

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Photo by John Bentham.
Three-panel screen
Photo by John Bentham.
Datelate 19th century
MediumInk, crayon and chalk on paper, mounted on silk
DimensionsOverall (Each panel): 33 3/8 × 16 3/4 in. (84.8 × 42.5 cm) Overall (Open): 33 3/8 × 50 1/4 in. (84.8 × 127.6 cm)
Credit LineGift of a Friend of the Emerson Gallery
Object number1993.24
On view
DescriptionThis screen is exemplary of the Korean folk painting tradition and would have decorated a room in hopes that its iconography would bring good luck for the inhabitants. The screen depicts at least two different classifications of folk painting: the left-most panel portrays the harmony that exists between flowers and birds, a type of subject called hwajodo, while the other two panels depict a number of plants and animals that denote long life, a classification called shipchangsaengdo. Korean folk painting was intentionally formulaic. Specific animals and plants are depicted for their symbolic meaning, which would have been clear to those who viewed them. For example, the type of bird that appears on the left-most panel represented goodness, morality, and virtue, and always appears with depictions of the paulownia tree, whereas the imaginary mushroom-like plants that appear at the lower right, called pulloch’o, were considered by Taoists to bestow eternal life (SOURCE: Wellin Museum permanent collection label, Summer 2016).
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Additional Details

Alternate Titles Folding screen featuring folk drawings
Exhibition History 2024-2025
Clinton, NY. The Ruth and Elmer Wellin Museum of Art, Hamilton College. "Menagerie: Animals in Art from the Wellin Museum," September 7, 2024 –June 8, 2025 (no cat.).
Provenance 1993: Hamilton College (Fred L. Emerson Galler), by gift of Beatrice K. Hofstadter.
Published References Emerson Gallery, Hamilton College, FRIENDS OF ART NEWSLETTER, vol. 1, no. 6, April 1994, "1993 Acquisitions"
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