Skip to main contentBiographyKokoschka, Oskar (1886–1980).
Austrian painter. Kokoschka was born in Pochlarn and studied at the Vienna School of Arts and Crafts. He was associated with the Sezession under Klimt’s presidency and a contributor to the Wiener Werkstätte through which he met the architect Adolf Loos (1870–1933), whom he painted in 1909 (Berlin, Neue Nationalgal.). His early portraits, freely painted and designed to show the sitter's inner self, were, like his allegorical play Murderer, Hope of Women (1909), intended to shock. In 1909 he moved to Berlin where he became a prolific illustrator for Der Sturm and painted figure subjects in a variety of styles united by an Expressionist intensity. The culmination of his pre-war work was the almost visionary Tempest (1914; Basle, Kunstmus.), painted in swirling blues, inspired by a love affair. He was badly wounded in 1915 but recovered to teach at the Dresden Academy (1919–24). Vehemently anti-Nazi, Kokoschka moved to Prague in 1934 and England in 1938, becoming naturalized in 1947. He continued to paint landscapes, townscapes (Jerusalem, 1929–30; Detroit, Inst. of Arts), and portraits in an unchanging but distinctive personal Expressionist style.
(SOURCE: [Oxford Art Online, http://www.oxfordartonline.com/subscriber/article/opr/t118/e1384?q=kokoschka&search=quick&pos=2&_start=1#firsthit, Accessed December 1,2016])
Oskar Kokoschka
Austrian, 1886 - 1980
Austrian painter. Kokoschka was born in Pochlarn and studied at the Vienna School of Arts and Crafts. He was associated with the Sezession under Klimt’s presidency and a contributor to the Wiener Werkstätte through which he met the architect Adolf Loos (1870–1933), whom he painted in 1909 (Berlin, Neue Nationalgal.). His early portraits, freely painted and designed to show the sitter's inner self, were, like his allegorical play Murderer, Hope of Women (1909), intended to shock. In 1909 he moved to Berlin where he became a prolific illustrator for Der Sturm and painted figure subjects in a variety of styles united by an Expressionist intensity. The culmination of his pre-war work was the almost visionary Tempest (1914; Basle, Kunstmus.), painted in swirling blues, inspired by a love affair. He was badly wounded in 1915 but recovered to teach at the Dresden Academy (1919–24). Vehemently anti-Nazi, Kokoschka moved to Prague in 1934 and England in 1938, becoming naturalized in 1947. He continued to paint landscapes, townscapes (Jerusalem, 1929–30; Detroit, Inst. of Arts), and portraits in an unchanging but distinctive personal Expressionist style.
(SOURCE: [Oxford Art Online, http://www.oxfordartonline.com/subscriber/article/opr/t118/e1384?q=kokoschka&search=quick&pos=2&_start=1#firsthit, Accessed December 1,2016])
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