Killing Polite, from "Harper's Weekly"

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Killing Polite, from "Harper's Weekly"
Killing Polite, from "Harper's Weekly"
Artist/Maker (American, born Germany, 1840 - 1902)
Datepublished April 29, 1876
MediumWood engraving on newsprint
DimensionsComposition: 9 1/8 × 13 1/2 in. (23.2 × 34.3 cm) Sheet: 15 13/16 in. × 11 in. (40.2 × 27.9 cm)
Credit LineGift of Professor Emeritus Jay Williams, Class of 1954
Object number2019.13.323
Not on view
DescriptionTwo white men in center. White man on left bending over slightly, holding briefcase in one hand and hat with newspaper falling out of it in other. Typed quote above man's back. White man on right bending down to the ground reaching toward a newspaper. Black man sitting background right. Captioned "The Mississippi legislature has killed itself by withdrawing the impeachment, and the Governor has killed himself by resigning his office." typeset beneath title in black ink.
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Additional Details

Provenance 2019: Hamilton College (Ruth and Elmer Wellin Museum of Art), by gift of Jay G. Williams.
Signature Signed "Th Nast" in block at lower right composition.
Inscribed Title typeset beneath image in black ink.
The Mysterious Influence of the New York ‘Herald!’, from "Harper's Weekly"
The Mysterious Influence of the New York ‘Herald!’, from "Harper's Weekly"
Thomas Nast
Date: published February 13, 1875
Medium: Wood engraving on newsprint
Object number: 2019.13.270
The ‘Funny’ Little Boy in Trouble, from "Harper's Weekly"
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Thomas Nast
Date: published November 28, 1874
Medium: Wood engraving on newsprint
Object number: 2019.13.262
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Thomas Nast
Date: published October 24, 1874
Medium: Wood engraving on newsprint
Object number: 2019.13.256
A Republican Form of Government, and No Domestic Violence, from "Harper's Weekly"
A Republican Form of Government, and No Domestic Violence, from "Harper's Weekly"
Thomas Nast
Date: published March 6, 1875
Medium: Wood engraving on newsprint
Object number: 2019.13.273
The 'Third Term' Trap, from "Harper's Weekly"
The 'Third Term' Trap, from "Harper's Weekly"
Thomas Nast
Date: published June 26, 1875
Medium: Wood engraving on newsprint
Object number: 2019.13.288
Whose Funeral Is It?, from "Harper's Weekly"
Whose Funeral Is It?, from "Harper's Weekly"
Thomas Nast
Date: published March 20, 1875
Medium: Wood engraving on newsprint
Object number: 2019.13.276
The Biggest Scare and Hoax Yet!--The Wild Animals Let Loose Again by the Zoomorphism Press, from "Harper's Weekly"
The Biggest Scare and Hoax Yet!--The Wild Animals Let Loose Again by the Zoomorphism Press, from "Harper's Weekly"
Thomas Nast
Date: published February 6, 1875
Medium: Wood engraving on newsprint
Object number: S2019.2.103
The Hobby in the Kinder-Garten, from "Harper's Weekly"
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Thomas Nast
Date: published October 24, 1874
Medium: Wood engraving on newsprint
Object number: 2019.13.257
Photograph by John Bentham.
Untitled
Lorna Simpson
Date: 1995
Medium: Full color electrostatic heat transfer on wool felt
Object number: 1998.3.4
Upon What Meat Doth this Our Caesar Feed that He Hath Grown so Great?, from "Harper's Weekly"
Upon What Meat Doth this Our Caesar Feed that He Hath Grown so Great?, from "Harper's Weekly"
Thomas Nast
Date: published December 5, 1874
Medium: Wood engraving on newsprint
Object number: 2019.13.264
'The Indifference' of Uncle Sam, from "Harper's Weekly"
'The Indifference' of Uncle Sam, from "Harper's Weekly"
Thomas Nast
Date: published December 9, 1876
Medium: Wood engraving on newsprint
Object number: 2019.13.353
Photograph by John Bentham.
The House of Chance and Mischief
Renée Stout
Date: 2008-10
Medium: Acrylic, latex paint, spray paint, plastic rhinestones, wood, glass, metal, varnish, collage, and found objects
Object number: 2016.2