You have to be in good physical condition in the fence business because it's hard work. Everybody in the business is related, either your brother or your cousin works for us or for another fence company. Our product is better than the customer expects. We use the best materials and do the job right., from the series "Working"

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You have to be in good physical condition in the fence business because it's hard work.  Everybody in the business is related, either your brother or your cousin works for us or for another fence company.  Our product is better than the customer expects. We use the best materials and do the job right., from the series "Working"
You have to be in good physical condition in the fence business because it's hard work. Everybody in the business is related, either your brother or your cousin works for us or for another fence company. Our product is better than the customer expects. We use the best materials and do the job right., from the series "Working"
Artist/Maker (American, born 1938)
Date1974-76 (printed later)
MediumGelatin silver print
DimensionsImage: 6 7/16 × 8 1/4 in. (16.4 × 21 cm) Sheet: 7 15/16 × 9 15/16 in. (20.2 × 25.2 cm)
Credit LineGift of Thomas J. Wilson and Jill M. Garling, P2016
Object number2019.18.91
Not on view
Collections

Additional Details

Provenance 2019: Hamilton College (Ruth and Elmer Wellin Museum of Art), by gift of Thomas J. Wilson and Jill M. Garling.
Markings Verso, lower right (stamp, black ink): “© BILL OWENS / EXTRA BOOK PRINT”
Published References Illustrated in Bill Owens, Working: I Do It For The Money (New York: Simon and Schuster, 1977), pl. 46.
Signature Signed on verso in pencil.
Inscribed Verso, upper left corner (pencil): “0970M”
Verso, lower right (pencil): “1500”
Verso, lower right corner (pencil): "W46*"
© LaToya Ruby Frazier. Image courtesy of the Ruth and Elmer Wellin Museum of Art at Hamilton Co…
LaToya Ruby Frazier
Date: 2017
Medium: Four cyanotypes
Object number: 2017.4a-d