Fighting Cock #3

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Photo by John Bentham.
Fighting Cock #3
Photo by John Bentham.
Artist/Maker (Danish, born American, 1920 - 1998)
Publisher (active New York, c.1950 – c.1973)
Date1964
MediumColor woodcut
DimensionsComposition: 20 × 24 7/8 in. (50.8 × 63.2 cm) Sheet: 24 7/16 × 29 in. (62.1 × 73.7 cm) Frame: 30 × 40 in. (76.2 × 101.6 cm)
Credit LineGift of Elbert Lenrow, Class of 1923
Object number1984.394
On view
DescriptionWalter Williams often depicted Black children in fields or in nature, against vibrantly colored skies and with animals or flowers. Fighting Cock #3 is a case in point. Artist and scholar David Driskell described Williams’s use of “nature as metaphor: the birds in flight ... symbolize the freedom that African Americans desired to have to move about freely, undisturbed.” While the print’s title implies a struggle ahead, the expressions of the boy and the fowl seem dynamic and even optimistic, while many birds wheel in the sky above. Born in Brooklyn, New York, Williams experienced a fraught and distressing childhood. His mother, who had encouraged his artistic passions, died of pneumonia when he was five years old, leaving the artist with his strict father and stepmother. Later, he was drafted into the army where he served in France burying soldiers. Upon his return to the US, Williams used the GI Bill to attend the Brooklyn Museum Art School where he studied under artists Ben Shahn (1898–1969) and Reuben Tam (1916–1991). Many of Williams’s artworks reflect the struggles of his youth and the freedom he longed for as a child. He said, “All my life I have been painting one picture. It is one that reflects my own image and the inner thoughts of my mind. I feel the naivete of a child when I paint yet I have the passions of the father that I am. I am an artist who is full of love for the world and all the images it holds.”

Additional Details

Exhibition History 2024-2025
Clinton, NY. The Ruth and Elmer Wellin Museum of Art, Hamilton College. "Menagerie: Animals in Art from the Wellin Museum," September 7, 2024 –June 8, 2025 (no cat.). Work exhibited in first rotation only, Fall 2024 semester.
Signature Signed and dated, lower right corner: "Williams, Walter 1964"
Inscribed Recto, lower left corner: "51/200 Fighting Cock #3"
Photo by John Bentham.
Walter Williams
Date: 1966
Medium: Color woodcut
Object number: 1984.393
© Estate of Thornton Dial, Sr. / ZuZu Entertainment Capital. Photo by John Bentham.
Thornton Dial
Date: c. 1991
Medium: Watercolor
Object number: 2020.10.2
Photograph by John Bentham.
William E. Williams
Date: 2003–4 (printed 2007)
Medium: Gelatin silver print
Object number: 2008.5.3
Artwork is in the public domain. Image courtesy of the Ruth and Elmer Museum of Art at Hamilton…
Date: c. 883-859 BCE
Medium: Gypsum with remnants of red pigment
Object number: 1868.5
Photography by David Revette.
William E. Williams
Date: 1981 (published 1985)
Medium: Gelatin silver print
Object number: 1992.1.2
© Renée Stout. Image courtesy of the Ruth and Elmer Wellin Museum of Art at Hamilton College, C…
Renée Stout
Date: 2022
Medium: Oil and acrylic on wood panel
Object number: 2023.3
Photograph by John Bentham.
Charles E. Burchfield
Date: March 1916
Medium: Watercolor and graphite on paper
Object number: 2016.1.1
Image courtesy of the Ruth and Elmer Wellin Museum of Art at Hamilton College, Clinton, NY. Pho…
Charles E. Burchfield
Date: April 1, 1916
Medium: Watercolor and pencil on paper
Object number: 2016.1.2
Photograph by John Bentham.
James Penney
Date: 1975-76
Medium: Oil on canvas
Object number: 2000.3.1
The Emancipation of the Negroes, January, 1863:The Past and the Future, from "Harper's Weekly"
Thomas Nast
Date: published January 24, 1863
Medium: Wood engraving on newsprint
Object number: 2019.13.28
Untitled, plate 582 from the series "Animal Locomotion"
Eadweard Muybridge
Date: c. 1884-87 (published 1887)
Medium: Collotype on paper, mounted on board
Object number: 2011.8.4
Photograph by John Bentham.
William C. Palmer
Date: 1938
Medium: Ink and graphite on paper
Object number: WCP.XXX.38