To the Upstater

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To the Upstater
To the Upstater
Artist/Maker (American)
Datec. 1930-1939
MediumEtching and aquatint on paper
DimensionsComposition: 4 × 3 in. (10.2 × 7.6 cm) Plate: 4 × 3 in. (10.2 × 7.6 cm) Sheet: 11 3/8 in. × 8 in. (28.9 × 20.3 cm)
Credit LineGift of Katharine Brigham Callanen in memory of her husband Gardner A. Callanen, Class of 1929
Object number1995.37
Not on view
Collections

Additional Details

Provenance 1995: Hamilton College (Fred L. Emerson Gallery), by gift of Katharine Brigham Callanen.
Markings Stamp in red ink at lower right: [artist's seal]: Chinese seal script for "shou," meaning longevity /long life.
Signature Signed in pencil at lower right: JMLogano
Artist's monogram in plate at lower left: "JML"
Inscribed Entitled in pencil at lower left: To the Upstater - Toot.
St. John's Church, Portsmouth, New Hampshire
St. John's Church, Portsmouth, New Hampshire
Margaret M. Taylor Fox
Date: 1890
Medium: Etching with remarque on paper
Object number: 1990.17
A View of the Town of St. George and Richmond Heights in the Island of Grenada taken from the Bay by Lieut. Col. J. Wilson & dedicated to his Excellency Major General Phineas Riall Governor & Commander in Chief &c. & c. &c.
A View of the Town of St. George and Richmond Heights in the Island of Grenada taken from the Bay by Lieut. Col. J. Wilson & dedicated to his Excellency Major General Phineas Riall Governor & Commander in Chief &c. & c. &c.
Lieutenant Colonel J. Wilson
Date: published November 1, 1819
Medium: Aquatint with hand coloring
Object number: 1971.66
Geneve, Le Jet d'Eau
Geneve, Le Jet d'Eau
Unknown artist
Date: after 1886
Medium: Etching and aquatint on paper
Object number: 1995.41
Que se rompe la cuerda (May the Cord Break), plate 77 from the series "Desastres de la Guerra (Disasters of War)"
Que se rompe la cuerda (May the Cord Break), plate 77 from the series "Desastres de la Guerra (Disasters of War)"
Francisco Goya
Date: 1810-1820, printed 1906
Medium: Etching and aquatint on paper
Object number: 1997.6.2
Ni mas ni menos (Neither more nor less), plate 41 from the series Los Caprichos (Whims)
Ni mas ni menos (Neither more nor less), plate 41 from the series Los Caprichos (Whims)
Francisco Goya
Date: 1797-1798, published 1878 or 1881
Medium: Etching, burnished aquatint, drypoint, and engraving on paper
Object number: 1985.30
Photograph by John Bentham.
Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls), plate 17 from "La Tauromaquia" (The Bullfight)
Francisco Goya
Date: 1815, first published 1816
Medium: Etching and aquatint on paper
Object number: 1928.8
Dr. Syntax Setting Out on His Second Tour
Dr. Syntax Setting Out on His Second Tour
Thomas Rowlandson
Date: late 18th-early 19th century
Medium: Hand-colored etching and aquatint on paper
Object number: 1990.42.1
Dr. Syntax in the Glass House
Dr. Syntax in the Glass House
Thomas Rowlandson
Date: c. 1820
Medium: Hand-colored etching and aquatint on paper
Object number: 1990.42.2
Dr. Syntax Taking Possession of His Living
Dr. Syntax Taking Possession of His Living
Thomas Rowlandson
Date: 1812-1821
Medium: Hand-colored etching and aquatint on paper
Object number: 1990.42.3
Dr. Syntax at an Auction
Dr. Syntax at an Auction
Thomas Rowlandson
Date: c. 1820
Medium: Hand-colored etching and aquatint on paper
Object number: 1990.42.4
Dr. Syntax Sells Grizzle
Dr. Syntax Sells Grizzle
Thomas Rowlandson
Date: c. 1820
Medium: Hand-colored etching and aquatint on paper
Object number: 1990.42.5
Dr. Syntax and the Dairy Maid
Dr. Syntax and the Dairy Maid
Thomas Rowlandson
Date: c. 1820
Medium: Hand-colored etching and aquatint on paper
Object number: 1990.42.6