Censer (Xianglu) in the shape of a luan-bird

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Censer (Xianglu) in the shape of a luan-bird
Censer (Xianglu) in the shape of a luan-bird
Date206 B.C.E. - 220 C.E.
MediumBronze
DimensionsOverall: 7 in. × 8 3/4 in. × 7 5/8 in. (17.8 × 22.2 × 19.4 cm)
Credit LineGift of James Taylor Dunn, Class of 1936, in memory of William G. Roehrick, '34
Object number1995.70a-b
Not on view
DescriptionThis openwork bronze censer (Xianglu) dates to the Han Dynasty (206 BCE to 220 CE). Surface patina suggests that it was unearthed from burial, possibly a tomb. The censer is welded and pinned rather than cast as one piece, demonstrating joinery processes introduced to China during the Warring States period (475 BCE to 221 BCE). Bronze wares began to take on animal forms during this period due to contact with nomadic Sino-Siberian tribes. This piece in particular is in the form of a flamboyant, long-tailed bird with many smaller bird vestiges throughout. The bird might represent a luan, an auspicious bird of paradise and omen of peace used as tribute to King Cheng of Zhou. The luan is related to, but not to be confused with the Taoist icon, the phoenix, called fenghuang in China and bonghwang in Korea. The Persian equivalent to the luan is the simurgh, referenced in the poem, The Canticle of the Birds. Luan-birds are known for their spontaneous song and dance capabilities. Elusive, they are only found during times of societal prosperity.

Additional Details

Exhibition History 2024-2025
Clinton, NY. The Ruth and Elmer Wellin Museum of Art, Hamilton College. "Menagerie: Animals in Art from the Wellin Museum," September 7, 2024 –June 8, 2025 (no cat.).

2015
Clinton, NY. Ruth and Elmer Wellin Museum of Art, Hamilton College. "Seek and Find," September 1, 2015 - ongoing (no cat., brochure).
Provenance 1995: Hamilton College (Fred L. Emerson Gallery), by gift of James Taylor Dunn, Class of 1936;
1943-1995: James Taylor Dunn, by purchase from Yamanaka & Company, Inc.
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