A Vision of the Trinity appearing to Pope Saint Clement

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A Vision of the Trinity appearing to Pope Saint Clement
A Vision of the Trinity appearing to Pope Saint Clement
Artist/Maker (Italian, 1696 - 1779)
Datec. 1960
MediumPhotograph
DimensionsOverall: 11 1/2 × 9 in. (29.2 × 22.9 cm)
Credit LineGift of James Garfinkel, Class of 1980; Transferred from the Art History Department
Object numberS2018.2.789
Not on view
DescriptionPhotograph of Giovanni Battista Tiepolo's painting, "A Vision of the Trinity."
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Additional Details

Provenance 2018: Ruth and Elmer Wellin Museum of Art, by transfer from the Art History Department;
likely by 1985 - 2018: Hamilton College (Art History department), by gift of James Garfinkel;
c. 1981-85: James Garfinkel, likely by purchase at auction in London.
Markings Verso, center (blue stamp): "NATIONAL GALLERY PHOTOGRAPH / NOT TO BE REPRODUCED / WITHOUT PERMISSION"
Inscribed Verso, top center (pencil): "Tiepolo, / A Vision of the Trinity appearing to Pope Saint Clement / 1739"
Verso, too center (pencil ): "27 1/4 x 21 3/4"
Verso, center (pencil): "6273"
Venezia - Chiesa dei Gesuati. S. Rosa e S. Caterina, dettaglio
Venezia - Chiesa dei Gesuati. S. Rosa e S. Caterina, dettaglio
Giovanni Battista Tiepolo
Date: 1875-1900
Medium: Albumen print
Object number: S2018.2.785
Venezia - Chiesa dei Gesuati. La Madonna in trono, nel basso varie Sante
Venezia - Chiesa dei Gesuati. La Madonna in trono, nel basso varie Sante
Giovanni Battista Tiepolo
Date: 1875-1900
Medium: Albumen print
Object number: S2018.2.786
Musée du Louvre. - La céne
Musée du Louvre. - La céne
Giovanni Battista Tiepolo
Date: 1875-1900
Medium: Albumen print
Object number: S2018.2.4
Artwork is in the public domain. Image courtesy of the Ruth and Elmer Museum of Art at Hamilton…
The Vision of Saint Anne
Lorenzo Baldissera Tiepolo
Date: c. 1759-60
Medium: Etching with drypoint
Object number: 2017.19
Avanzi degl' Aquedotti Neroniani che si volevano distruggere per la loro vecchiezza ma per ordine di N'ro. Sig.re Papa Clemento XIV sono restati in piedi (Remains of the Aqueduct of Nero which were to be destroyed on account of their age but remained standing by order of Pope Clement XIV), from the series "Vedute di Roma (Views of Rome)"
Avanzi degl' Aquedotti Neroniani che si volevano distruggere per la loro vecchiezza ma per ordine di N'ro. Sig.re Papa Clemento XIV sono restati in piedi (Remains of the Aqueduct of Nero which were to be destroyed on account of their age but remained standing by order of Pope Clement XIV), from the series "Vedute di Roma (Views of Rome)"
Giovanni Battista Piranesi
Date: 1775
Medium: Etching
Object number: 1984.19
Photograph by John Bentham.
Veduta dell' Anfiteatro Flavio detto Il Colosseo (View of Flavian Amphitheater, called the Colosseum), from the series "Vedute di Roma (Views of Rome)"
Giovanni Battista Piranesi
Date: 1776
Medium: Etching
Object number: 1987.14
Image Not Available for Veduta del Tempio di Bacco, inoggi Chiea di S. Urbano, distante du miglia da Roma fuori della Porta di S. Sebastiano (View of the Temple of Bacchus, now the church of Saint Urbano, two miles distant from Rome, beyond the Porta Saint Sebastiano), from the series "Vedute di Roma (Views of Rome)"
Veduta del Tempio di Bacco, inoggi Chiea di S. Urbano, distante du miglia da Roma fuori della Porta di S. Sebastiano (View of the Temple of Bacchus, now the church of Saint Urbano, two miles distant from Rome, beyond the Porta Saint Sebastiano), from the series "Vedute di Roma (Views of Rome)"
Giovanni Battista Piranesi
Date: c. 1758
Medium: Etching
Object number: 2010.4.2
Three-quarter view of an old man with a beard from "Raccolta di Teste"
Three-quarter view of an old man with a beard from "Raccolta di Teste"
Giovanni Domenico Tiepolo
Date: c. 1775
Medium: Etching
Object number: 1928.19
Veduta dell' Anfiteatro Flavio, detto il Colosseo (View of the Falvian Amphitheater, called the Colossesum), from the series "Vedute di Roma (Views of Rome)"
Veduta dell' Anfiteatro Flavio, detto il Colosseo (View of the Falvian Amphitheater, called the Colossesum), from the series "Vedute di Roma (Views of Rome)"
Giovanni Battista Piranesi
Date: c. 1748-78
Medium: Etching
Object number: 1984.20
Image Not Available for Veduta del Campidoglio di fianco (View of the Campidoglio, seen from the side), from the series "Vedute di Roma (Views of Rome)"
Veduta del Campidoglio di fianco (View of the Campidoglio, seen from the side), from the series "Vedute di Roma (Views of Rome)"
Giovanni Battista Piranesi
Date: 1775
Medium: Etching
Object number: 1987.15
Veduta di un gran Masso, Avanzo del Sepolcro della Familia d' Metelli sulla Via Appia (View of a large structure, remains of the Tomb of the Metelli on the Appian Way)
Veduta di un gran Masso, Avanzo del Sepolcro della Familia d' Metelli sulla Via Appia (View of a large structure, remains of the Tomb of the Metelli on the Appian Way)
Giovanni Battista Piranesi
Date: 1752-56
Medium: Etching
Object number: 1986.5
The Smoking Fire, plate VI from the series "Invenzioni Capric di Carceri All'Acqua Forte Datte in Luce da Giovani Buzard in Roma Mercante al Corso (Fanciful images of Prisons, etchings published by Giovanni Buzard in Rome, conducting business on the Corso)"
The Smoking Fire, plate VI from the series "Invenzioni Capric di Carceri All'Acqua Forte Datte in Luce da Giovani Buzard in Roma Mercante al Corso (Fanciful images of Prisons, etchings published by Giovanni Buzard in Rome, conducting business on the Corso)"
Giovanni Battista Piranesi
Date: 1750
Medium: Etching, engraving, and sulphur tint or open bite
Object number: 1993.2