The Day After Tomorrow

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The Day After Tomorrow
The Day After Tomorrow
Artist/Maker (Dutch, 1943 – 2021)
Date1972
MediumEtching and aquatint
DimensionsPlate: 11 5/8 × 9 3/8 in. (29.5 × 23.8 cm) Sheet: 25 1/2 × 20 in. (64.8 × 50.8 cm)
Credit LineGift of Elbert Lenrow, Class of 1923
Object number1984.385
Not on view
DescriptionPath leading through rolling hills under a blue sky
Collections

Additional Details

Provenance 1984: Hamilton College (Fred L. Emerson Gallery), by gift of Elbert Lenrow.
Signature Signed and dated "Koosje Wagenaar 1972" at lower right.
Inscribed "the day after tomorrow 32/135" at lower left in pencil.
Photo by John Bentham.
Caged Bird
Walter Williams
Date: 1966
Medium: Color woodcut
Object number: 1984.393
N.E. view of Fort Louis in the Island of Martinique
N.E. view of Fort Louis in the Island of Martinique
Cooper Willyams
Date: published August 1, 1796
Medium: Etching and aquatint
Object number: 1981.1.3
Photograph by John Bentham.
Plate XI, from the series "Elephant Skull"
Henry Moore
Date: 1969 (published 1970)
Medium: Etching
Object number: 1988.21
In the midst of gloom of a rainy Friday night in the Army, the troops in the Chicago Av. Armory got the good news; Some of them will be home for Easter. Brigadier General Richard T. Dunn, commander of the 5,000 National Guard troops called to active duty after disturbances Thursday, said: "If everything remains quiet and no disturbances grow out of the peace parade Saturday we will begin phasing out troops by midnight tomorrow."
In the midst of gloom of a rainy Friday night in the Army, the troops in the Chicago Av. Armory got the good news; Some of them will be home for Easter. Brigadier General Richard T. Dunn, commander of the 5,000 National Guard troops called to active duty after disturbances Thursday, said: "If everything remains quiet and no disturbances grow out of the peace parade Saturday we will begin phasing out troops by midnight tomorrow."
Date: April 5, 1969
Medium: Vintage ferrotyped gelatin silver print
Object number: 2022.15.271
Kingstown, St. Vincents (from Cane-Garden Point), from "Scenery of the Windward and Leeward Islands"
Kingstown, St. Vincents (from Cane-Garden Point), from "Scenery of the Windward and Leeward Islands"
Lt. John Herbert Caddy
Date: published February 1, 1837
Medium: Hand-colored aquatint on paper
Object number: 1971.39.3
Image courtesy of the Ruth and Elmer Wellin Museum of Art at Hamilton College. Photo by John Be…
6:30 Tonight, tomorrow and the next day
Jay Heikes
Date: 2007
Medium: Wood, string, bronze, hardware, enamel, latex and coconut
Object number: 2012.3.11
Image courtesy of the Ruth and Elmer Museum of Art at Hamilton College, Clinton, NY. Photo by J…
New French Tools 2 - Three Saws from the Rue Cler
Jim Dine
Date: 1984
Medium: Etching, aquatint, sugar-lift aquatint, and drypoint with power-tool abrasion
Object number: 1989.12
Perspective View of Roseau in the Island of Dominica in the West Indies
Perspective View of Roseau in the Island of Dominica in the West Indies
J. Cooke
Date: 1778
Medium: Engraving with hand coloring
Object number: 1971.61
View Near Saint John's, Antigua. From Gamble's
View Near Saint John's, Antigua. From Gamble's
Date: published July 1, 1829
Medium: Engraving with hand coloring
Object number: 1971.49
The Next Pardon in the Reform Farce, from "Harper's Weekly"
The Next Pardon in the Reform Farce, from "Harper's Weekly"
Thomas Nast
Date: published May 15, 1875
Medium: Wood engraving on newsprint
Object number: 2019.13.285
Granite Tor
Granite Tor
Norma Morgan
Date: 1955
Medium: Engraving and aquatint
Object number: 1984.234
Vue De Philipsbourg. La Ville Capitale De La Partie Hollandaise Del L' Ile St. Martin. Prise sur la Batterie, Fort Amsterdam, Donné lieu O. de la Ville, par Samuel Fahlberg
Vue De Philipsbourg. La Ville Capitale De La Partie Hollandaise Del L' Ile St. Martin. Prise sur la Batterie, Fort Amsterdam, Donné lieu O. de la Ville, par Samuel Fahlberg
Samuel Fahlberg
Date: [c. 1830]
Medium: Watercolor on paper
Object number: 1977.1