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© Roberto Lugo courtesy of Wexler Gallery. Image courtesy of the Ruth and Elmer Wellin Museum o…
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© Roberto Lugo courtesy of Wexler Gallery. Image courtesy of the Ruth and Elmer Wellin Museum of Art at Hamilton College. Photo by John Bentham.
© Roberto Lugo courtesy of Wexler Gallery.
Artist/Maker (American, born 1981)
Date2020
MediumGlazed ceramic and enamel paint
DimensionsOverall: 29 × 16 × 16 in. (73.7 × 40.6 × 40.6 cm)
Credit LinePurchase, William G. Roehrick ’34 Art Acquisition and Preservation Fund
Object number2021.1a-b
On view
DescriptionRoberto Lugo works at the intersection of high and low art, creating objects in which classical ceramic forms and traditional patterning sit comfortably with the graffiti tags he learned as a youth growing up in Philadelphia. Proud visages of Black and Latinx figures—whether a historical leader or a slain rap icon—frequently populate his vessels, helping to reclaim space for these cultures within the traditional canon that museums so often present. The portraits depicted on Lugo’s vases hold personal significance, and the artist has stated that Kamala Harris’s political candidacy was a huge point of inspiration during the COVID-19 pandemic. Her multicultural background embodies the unity Lugo seeks to create through his own practice and in order to honor her specific heritage, he included colors and motifs on this onggi-style vase that are sourced from Indian art. Harris’s fierce personal determination is represented by the presence of an imposing dragon, a figure Lugo first began copying from the Asian vase collection at the Nelson-Atkins Museum while an undergraduate. Several graffiti monikers are visible towards the top and lower sections of the vase, which the artist considers a “cameo” by himself and his original art teachers. On the reverse side, the word “MADAME” is spelled out in graffiti, referring to Harris’s official title as our country’s first woman, Black, and South-Asian American Vice President. Roberto Lugo (b. 1981, Philadelphia; lives and works in Philadelphia) was named the 2018 Ceramic Artist of the Year by the Ceramic Arts Network. He holds a BFA from the Kansas City Art Institute and an MFA from Penn State. His work is in institutional collections including the Philadelphia Museum of Art, the Los Angeles County Museum of Art, the High Museum of Art in Atlanta, Georgia, the Museum of Fine Arts Boston, the Rhode Island School of Design Museum of Art, and the Walters Art Museum in Baltimore, Maryland. He was the 2019 recipient of the Cynthia Hazen Polsky and Leon Polsky Rome Prize, and is currently the program head of ceramics at Tyler School of Art in Philadelphia.

Additional Details

Provenance 2021: Hamilton College (Ruth and Elmer Wellin Museum of Art), by purchase from Wexler Gallery, Philadelphia, PA.
Inscribed "MADAME" on verso in paint.
Granite Tor
Norma Morgan
Date: 1955
Medium: Engraving and aquatint
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Photo by John Bentham.
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Object number: 1992.8
© Ibrahim Said. Image courtesy of the Ruth and Elmer Wellin Museum of Art at Hamilton College, …
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Photograph by John Bentham.
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Object number: 1929.30
Photograph by John Bentham.
John Marin
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© Martin Wong Foundation and P.P.O.W. Image courtesy of the Ruth and Elmer Wellin Museum of Art…
Martin Wong
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Object number: 2023.1
Photograph by John Bentham.
Lyonel Feininger
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Alpspitze, Mittenwald Road from Gschwandtnerbauer
Marsden Hartley
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Medium: Oil on cardboard
Object number: 1986.18
Photograph by John Bentham.
Unknown artist, Greek (Ancient)
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Medium: Terracotta with slip
Object number: 2015.6.2
Photograph by John Bentham.
Unknown artist, Greek (Ancient)
Date: c. 1300-1100 BCE
Medium: Terracotta with slip
Object number: 2015.6.6
Photograph by John Bentham.
Date: 4th-5th century
Medium: Blown glass with trailing
Object number: 2015.6.30