Me (Flour)

Skip to main content
© Priya Kambli. Image courtesy of Light Work, Syracuse, NY. For educational purposes only.
Me (Flour)
© Priya Kambli. Image courtesy of Light Work, Syracuse, NY. For educational purposes only.
Artist/Maker (Indian, born 1975)
Date2009
MediumArchival inkjet print
DimensionsImage: 5 × 11 in. (12.7 × 27.9 cm) Sheet: 11 × 14 in. (27.9 × 35.6 cm)
Credit LinePurchase, The Wynant J. Williams '35 Art Collection Fund
Object number2020.8.28
Not on view
DescriptionPriya Kambli often calls upon the themes of identity and family in her work as a means to connect the culture of her childhood growing up in India, to her adult life in the United States. As seen in "Me (Flour)," the artist takes inspiration from old family photographs, and combines them with culturally significant artifacts, mainly domestic or humble in nature, as well as old clothing, either from her mother, or when she was a child. This diptych features a portrait of the artist herself kneeling on a wooden floor with a white dress decorated in a botanical pattern made of flour, reminiscent of Indian saris, and beside it a pewter cup holding a cone of white flour. As her face is not visible, the work displays a certain longing and loss of identity between her two cultures, but also explores the connection between her past and the present through the visual of similar textures, materials, and patterns.

Additional Details

Provenance 2020: Hamilton College (Ruth and Elmer Wellin Museum of Art), by purchase from Light Work, Syracuse, NY.
Markings No markings noted.
Signature Signed "Priya Kambli" on verso at lower right in ink.
Inscribed "Me (Flour), 2009" on verso at lower right in ink;
"edition 8 of 20" on verso at lower right in ink.
© Atong Atem. Image courtesy of Light Work, Syracuse, NY. For educational purposes only.
Atong Atem
Date: 2016
Medium: Archival inkjet print
Object number: 2021.9.1
The Emancipation of the Negroes, January, 1863:The Past and the Future, from "Harper's Weekly"
Thomas Nast
Date: published January 24, 1863
Medium: Wood engraving on newsprint
Object number: 2019.13.28
Photograph by John Bentham.
Wendy Red Star
Date: 2016
Medium: Lithograph with inkjet print
Object number: 2016.18
Photograph by John Bentham.
Toyokuni III
Date: 1852
Medium: Polychrome woodblock print on two sheets of paper
Object number: 1994.92
© Jamea Richmond-Edwards. Image Courtesy of Art+Culture Projects, Brooklyn, NY. For educational…
Jamea Richmond-Edwards
Date: 2018
Medium: Pigment print with silkscreen diamond dust and gold foil
Object number: 2020.1
Photograph by David Revette.
Carrie Mae Weems
Date: 1990 (printed 2010)
Medium: Gelatin silver print
Object number: 2011.5
© Wendy Red Star. Image courtesy of Light Work, Syracuse, NY. For educational purposes only.
Wendy Red Star
Date: 2012
Medium: Archival inkjet print
Object number: 2020.7.1
Head to Head, from the series "Double Life"
Kelli Connell
Date: 2008
Medium: Pigmented inkjet print
Object number: 2012.1.1
Congolene Resistance
Alison Saar
Date: 2021
Medium: Screen print, acrylic spray paint, and gloss varnish on aluminum tin
Object number: 2022.10
Artwork is in the public domain. Image courtesy of the Ruth and Elmer Museum of Art at Hamilton…
Unknown artist
Date: c. 1070-945 BCE
Medium: Faience
Object number: INV.699
© Angelika Rinnhofer. Image courtesy of Light Work, Syracuse, NY. For educational purposes only…
Angelika Rinnhofer
Date: 2005
Medium: Archival inkjet print
Object number: 2020.8.3
Photograph by John Bentham.
Jeffrey Gibson
Date: 2015
Medium: Glass and plastic beads, tin cones, steel and brass studs, nylon fringe, and artificial sinew on repurposed wool army blanket, mounted on repurposed canvas punching bag with steel chain
Object number: 2016.5