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Artist/Maker
Dyani White Hawk
(Sičangu Lakota, born 1976)
Date2019
MediumSuite of four screenprints with metallic foil
DimensionsSheet (each): 55 1/2 in. × 32 in. (141 × 81.3 cm)
Credit LinePurchase, William G. Roehrick '34 Art Acquisition and Preservation Fund
Object number2020.4.1-4
Not on view
Description“Inspired by Plains style women’s dentalium dresses, the set speaks to the ways in which Native women collectively care for our communities. Through acts of creation, nurturing, leadership, love, and protection carried out in infinite forms, our grandmothers, aunties, sisters, cousins, nieces, and friends collectively care for our communities. As a suite, these works speak to the importance of kinship roles and tribal structures that emphasize the necessity of extended family, tribal and communal ties as meaningful and significant relationships necessary for the rearing of healthy and happy individuals and communities.
The idea for this suite of four dresses came from the practice of requesting four veterans to stand in each cardinal direction for protection when particular ceremonies are taking place. My mother is a veteran. In thinking through the ways the women in our lives stand guard, protect, and nurture our well being, the idea for this set of four was born. Each print is individually named with a quality that embodies the ways they care for us all. Yet, this list of qualities could go on and on and each person carries multiple roles. This list is simply a starting point, an acknowledgement and gesture of gratitude for the many women in my life that have helped Create, Nurture, Protect, and Lead in ways that have taught me what it means to be a good relative.” (SOURCE: Dyani White Hawk)
Collections
Additional Details
Provenance
2020: Hamilton College (Ruth and Elmer Wellin Museum of Art), by purchase from Highpoint Center for Printmaking
Markings
Embossed Stamp: "[Highpoint Center for Printmaking logo]" at lower right.
Signature
Signed and dated "Dyani White Hawk 2019" at lower right in pencil.
Inscribed
"9/18" at lower right in pencil;
"Wówahokuŋkiya | Lead" at lower center in pencil;
"Wókaǧe | Create" at lower center in pencil;
"Nakíčižiŋ | Protect" at lower center in pencil;
"Wačháŋtognaka | Nurture" at lower center in pencil.
"Wówahokuŋkiya | Lead" at lower center in pencil;
"Wókaǧe | Create" at lower center in pencil;
"Nakíčižiŋ | Protect" at lower center in pencil;
"Wačháŋtognaka | Nurture" at lower center in pencil.
Dyani White Hawk
Date: 2019
Medium: Screenprint with metallic foil
Object number: 2020.4.1
Dyani White Hawk
Date: 2019
Medium: Screenprint with metallic foil
Object number: 2020.4.2
Dyani White Hawk
Date: 2019
Medium: Screenprint with metallic foil
Object number: 2020.4.3
Dyani White Hawk
Date: 2019
Medium: Screenprint with metallic foil
Object number: 2020.4.4
Umar Rashid (Frohawk Two Feathers)
Date: 2013
Medium: Acrylic, ink, coffee, and tea on paper
Object number: 2013.2
Jamea Richmond-Edwards
Date: 2018
Medium: Pigment print with silkscreen diamond dust and gold foil
Object number: 2020.1
Jeffrey Gibson
Date: 2017
Medium: Glazed ceramic and repurposed ceramic figurines
Object number: 2018.5
Thomas Nast
Date: published June 27, 1874
Medium: Wood engraving on newsprint
Object number: 2019.13.245
Leonard Freed
Date: 1979
Medium: Gelatin silver print
Object number: 2014.7.9
Thomas Nast
Date: published October 17, 1874
Medium: Wood engraving on newsprint
Object number: 2019.13.255
Carrie Mae Weems
Date: 1990 (printed 2010)
Medium: Gelatin silver print
Object number: 2011.5