'Pardon' and 'Franchise', from "Harper's Weekly"

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'Pardon' and 'Franchise', from "Harper's Weekly"
'Pardon' and 'Franchise', from "Harper's Weekly"
Artist/Maker (American, born Germany, 1840 - 1902)
Datepublished August 5, 1865
MediumWood engraving on newsprint
DimensionsComposition (a): 13 1/2 in. × 9 in. (34.3 × 22.9 cm) Composition (b): 13 1/2 × 9 1/8 in. (34.3 × 23.2 cm) Sheet: 16 3/8 × 22 15/16 in. (41.6 × 58.3 cm)
Credit LineGift of Professor Emeritus Jay Williams, Class of 1954
Object number2019.13.71
Not on view
Description"This double image questions the way African-American war heroes were treated compared to their white contemporaries. In Pardon, white politicians practically worship Columbia, with Andrew Johnson bowing down to ask for her approval. Here Columbia is weighty, larger than life, and bored, compared to Franchise, where she is engaged, passionate, and the same size as the black war hero she points towards and encourages others to respect. Though black soldiers made a huge impact by fighting for the Union, they were not given as much respect as RObert E. Lee and his white counterparts, even though white soldiers often spent less time actually fighting than the African-American soldiers.” (SOURCE: Susanna White, "Emancipation and Denigration: Thomas Nast Pictures Black America", 2008)
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Additional Details

Alternate Titles Shall I Trust these Men? And Not this Man?, from "Harper's Weekly"
Exhibition History 2008
Clinton, NY (Emerson Gallery, Hamilton College). "Emancipation and Denigration: Thomas Nast Pictures Black America," January 14, 2008 - April 13, 2008
Provenance 2019: Hamilton College (Ruth and Elmer Wellin Museum of Art), by gift of Jay G. Williams.
Published References Susanna White, EMANCIPATION AND DENIGRATION: THOMAS NAST PICTURES BLACK AMERICA, exh. cat. (Clinton, NY: Emerson Gallery, 2008)
Signature Signed "Th Nast" in block at lower right composition.
Inscribed Title typeset beneath images in black ink. Page number "488," publisher, and publication date "August 5, 1863" typeset above composition a in black ink. Publication date, publisher, and page number "489" typeset above composition b at top of the sheet.
Photo by John Bentham.
Fighting Cock #3
Walter Williams
Date: 1964
Medium: Color woodcut
Object number: 1984.394
Colored Rule in a Reconstructed (?) State, from "Harper's Weekly"
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Thomas Nast
Date: published March 14, 1874
Medium: Wood engraving on newsprint
Object number: 2019.13.234
Image Not Available for N’est-il pas vrai.., brave turco..., que vous préférez les Francaises aux Africaines? (Isn't it true, brave Turco..., that you prefer French women to African women?), no. 100 from the series "Actualités (Current Events)"
N’est-il pas vrai.., brave turco..., que vous préférez les Francaises aux Africaines? (Isn't it true, brave Turco..., that you prefer French women to African women?), no. 100 from the series "Actualités (Current Events)"
Honoré Daumier
Date: published August 31, 1859
Medium: Lithograph on newsprint
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Photo by John Bentham.
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Walter Williams
Date: 1966
Medium: Color woodcut
Object number: 1984.393
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Sénèque Obin
Date: early 1960s
Medium: Oil on masonite
Object number: 1981.13
The Modern Samson, from "Harper's Weekly"
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Date: published October 3, 1868
Medium: Wood engraving on newsprint
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Photograph by John Bentham.
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Sebastião Salgado
Date: 1991
Medium: Gelatin silver print
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Date: published March 6, 1880
Medium: Wood engraving on newsprint
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Thomas Nast
Date: published October 17, 1874
Medium: Wood engraving on newsprint
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Photograph by John Bentham.
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Dmitri Baltermants
Date: 1941-45 (printed 2003)
Medium: Gelatin silver print
Object number: 2013.5.10
Between Two Fires, from "Harper's Weekly"
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Thomas Nast
Date: published October 14, 1876
Medium: Wood engraving on newsprint
Object number: 2019.13.342
The Duty of the Hour, from "Harper's Weekly"
The Duty of the Hour, from "Harper's Weekly"
Thomas Nast
Date: published April 1, 1876
Medium: Wood engraving on newsprint
Object number: 2019.13.317