Con Edison Building

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© Berenice Abbott. Image courtesy of the Ruth and Elmer Wellin Museum of Art at Hamilton Colleg…
Con Edison Building
© Berenice Abbott. Image courtesy of the Ruth and Elmer Wellin Museum of Art at Hamilton College. Photo by John Bentham.
Artist/Maker (American, 1898 - 1991)
Date1938
MediumGelatin silver print
DimensionsImage (needs to be confirmed): 12 1/2 × 9 1/4 in. (31.8 × 23.5 cm)
Credit LineGift of Martina Hamilton, P1995, GP2022
Object number2022.14.2
Not on view
Collections

Additional Details

Alternate Titles Consolidated Edison Power House, 666 First Avenue, Manhattan
Exhibition History 2022-2023
Clinton, NY (Ruth and Elmer Wellin Museum of Art, Hamilton College). "Dialogues Across Disciplines: Building a Teaching Collection at the Wellin Museum of Art," September 17, 2022 - May 20, 2023
Provenance 2018: on loan to Hamilton College (Ruth and Elmer Wellin Museum), promised gift of Martina Hamilton.
Signature Signed "Berenice Abbott" on verso at center in pencil.
© Berenice Abbott. Image courtesy of the Ruth and Elmer Wellin Museum of Art at Hamilton Colleg…
4th Avenue Brooklyn Billboards, from the portfolio "New York II"
Berenice Abbott
Date: 1936 (published 1979)
Medium: Gelatin silver print
Object number: 2022.14.1
La Rétameuse (The Tinker) from the series "Douze eaux-fortes d'après nature (Twelve Etchings from Nature)"
La Rétameuse (The Tinker) from the series "Douze eaux-fortes d'après nature (Twelve Etchings from Nature)"
James Abbott McNeill Whistler
Date: published November 1858
Medium: Etching
Object number: 1928.25
The Smith's Yard
The Smith's Yard
James Abbott McNeill Whistler
Date: 1895 (published February 15, 1897)
Medium: Lithograph
Object number: 1928.26
The Doorway from the "First Venice Set"
The Doorway from the "First Venice Set"
James Abbott McNeill Whistler
Date: 1879-80
Medium: Etching and drypoint
Object number: 1998.6
Little Putney, No. 1
Little Putney, No. 1
James Abbott McNeill Whistler
Date: 1879
Medium: Etching
Object number: 1995.64
Roma - Museo Vaticano Sarcofago con. Diana Efesina
Roma - Museo Vaticano Sarcofago con. Diana Efesina
Unknown artist
Medium: Gelatin silver print
Object number: S2018.2.224
Builders and doctors in Brasilia: Brasilia, the most modern capital city in the world has 65,000 inhabitants in 1959. Today, its population totals 250,000. In three years this figure will increase to 500,000. Since the first foundations were laid, builders and doctors worked closely together, first of all to see to it that the 60,000 workers who took part in building the new city stayed in good health, then to prevent the town from being invaded by the diseases of bush and forest. Immigrants' health is checked systematically on the road into Brasilia, while specialists study the flora and fauna of the environment in order to discover possible sources of dangerous diseases. Building sights in the center of town.
Builders and doctors in Brasilia: Brasilia, the most modern capital city in the world has 65,000 inhabitants in 1959. Today, its population totals 250,000. In three years this figure will increase to 500,000. Since the first foundations were laid, builders and doctors worked closely together, first of all to see to it that the 60,000 workers who took part in building the new city stayed in good health, then to prevent the town from being invaded by the diseases of bush and forest. Immigrants' health is checked systematically on the road into Brasilia, while specialists study the flora and fauna of the environment in order to discover possible sources of dangerous diseases. Building sights in the center of town.
Paul Almasy
Date: 1960-1969
Medium: Vintage gelatin silver print
Object number: 2022.15.174
Builders and doctors in Brasilia: Brasilia, the most modern capital city in the world has 65,000 inhabitants in 1959. Today, its population totals 250,000. In three years this figure will increase to 500,000. Since the first foundations were laid, builders and doctors worked closely together, first of all to see to it that the 60,000 workers who took part in building the new city stayed in good health, then to prevent the town from being invaded by the diseases of bush and forest. Immigrants' health is checked systematically on the road into Brasilia, while specialists study the flora and fauna of the environment in order to discover possible sources of dangerous diseases. Building sights in the center of town.
Builders and doctors in Brasilia: Brasilia, the most modern capital city in the world has 65,000 inhabitants in 1959. Today, its population totals 250,000. In three years this figure will increase to 500,000. Since the first foundations were laid, builders and doctors worked closely together, first of all to see to it that the 60,000 workers who took part in building the new city stayed in good health, then to prevent the town from being invaded by the diseases of bush and forest. Immigrants' health is checked systematically on the road into Brasilia, while specialists study the flora and fauna of the environment in order to discover possible sources of dangerous diseases. Building sights in the center of town.
Paul Almasy
Date: ca. 1960s
Medium: Vintage gelatin silver print
Object number: 2022.15.176
Façade of The Pennsylvania Company building
Façade of The Pennsylvania Company building
Edward Quigley
Date: 1940
Medium: Gelatin silver print
Object number: 2019.18.94
Reflection of American flag in the CBS building, New York City
Reflection of American flag in the CBS building, New York City
Jean Mohr
Date: c. 1965
Medium: Ferrotyped gelatin silver print
Object number: 2021.12.220
Scores of pickets marched through the Loop in silent procession Friday in protest over the fatal beating of the Reverend James Reeb in Selma, Alabama. They were led by six men bearing a gray mock coffin, which was labeled with a sign: "God-- go South." Demonstrators carried other cardboard signs. By the time the demonstrators reached the Federal Building, the procession had grown to nearly 90 people, about half Negro and half white.
Scores of pickets marched through the Loop in silent procession Friday in protest over the fatal beating of the Reverend James Reeb in Selma, Alabama. They were led by six men bearing a gray mock coffin, which was labeled with a sign: "God-- go South." Demonstrators carried other cardboard signs. By the time the demonstrators reached the Federal Building, the procession had grown to nearly 90 people, about half Negro and half white.
Date: March 12, 1965
Medium: Vintage ferrotyped gelatin silver print
Object number: 2022.15.265
Mies van der Rohe Building, Chicago
Mies van der Rohe Building, Chicago
Elliott Erwitt
Date: 1969
Medium: Gelatin silver print
Object number: 1981.20.6