Study for oil of Ezra Pound (recto and verso)

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Study for oil of Ezra Pound (recto and verso)
Study for oil of Ezra Pound (recto and verso)
Artist/Maker (British, born Canada, 1882 - 1957)
Date1938
MediumDouble-sided drawing with transparent watercolor wash over graphite and charcoal (recto) and graphite (verso) on paper
DimensionsComposition: 14 1/2 × 20 1/2 in. (36.8 × 52.1 cm) Frame: 25 1/4 × 31 1/8 × 1 1/4 in. (64.1 × 79.1 × 3.2 cm)
Credit LineGift of Omar S. Pound, Class of 1951
Object number2004.3a-b
Not on view
DescriptionThis is a study for a painting now in the collection of the Tate in London, England. "In 1914 Wyndham Lewis and the American poet and critic Ezra Pound together promoted Vorticism, an avant-garde movement celebrating the machine age and the artist as a mystic, inventor, and organiser of forms. Both men were controversial writers. Their relationship was at times difficult: in the 1920s Lewis had been very critical of Pound's poetry. But Lewis set aside their differences to produce this tribute to his friend. It is one of a series of portraits Lewis began in 1938, which also included T.S. Eliot and Stephen Spender. The composition is dominated by the diagonal lines of Pound's reclining body and the newspapers, which are offset by the strong verticals on the left." (SOURCE: Tate Gallery label, August 2004, http://www.tate.org.uk/art/artworks/lewis-ezra-pound-n05042)

Additional Details

Exhibition History 2005
Clinton, NY (Fred L. Emerson Gallery, Hamilton College). "Hamilton Collects, A Century of Curiosities: The Story of the Hamilton College Collection," September 29 - December 30, 2005 (unnumbered cat., illus., 29);

1992
Clinton, NY (Fred L. Emerson Gallery, Hamilton College). "Rebels & Romantics: Some British Moderns and Their Work," June 6 - September 6, 1992 (cat. no. 28.). [exhibited as "Study for Oil Portrait of Ezra Pound"].
Provenance 2004: Hamilton College (Fred L. Emerson Gallery), by gift of Omar S. Pound;
c. 1949 - 2004: Omar S. Pound, by purchase from the artist, London, England.
Published References A CENTURY OF CURIOSITIES: THE STORY OF THE HAMILTON COLLEGE COLLECTION (exh. cat., Emerson Gallery, Hamilton College, September 29- December 30, 2005, unnumbered cat.).

David Lewis, ed., REBELS & ROMANTICS: SOME BRITISH MODERNS AND THEIR WORK (exh. cat. Clinton, NY, Fred L. Emerson Gallery, 1992), [checklist] 64.
Signature Signed and dated "Wyndham Lewis 1938" at lower left corner in ink.
Photograph by John Bentham.
Dorothy Shakespear
Date: 1937
Medium: Watercolor on paper, mounted on cardboard
Object number: 1996.10
Photograph by John Bentham.
Dorothy Shakespear
Date: c. 1914-19
Medium: Watercolor and graphite on paper
Object number: 1994.200
Composition with Yellow Stripe
Dorothy Shakespear
Date: 1919
Medium: Watercolor on paper
Object number: 1994.94
Photograph by John Bentham.
Henri Gaudier-Brzeska
Date: c. 1913
Medium: Seravazza and Sicilian marble
Object number: 2005.6.2
Photograph by John Bentham.
Wyndham Lewis
Date: 1918
Medium: Charcoal, pen and ink, watercolor, and gouache wash on paper
Object number: 1995.73
Photo by John Bentham.
Dorothy Shakespear
Date: before 1939
Medium: Pencil and watercolor
Object number: INV.950
Photograph by John Bentham.
Henri Gaudier-Brzeska
Date: c. 1913-1914
Medium: Seravezza and Sicilian marble
Object number: 2005.6.1
© Lewis Watts. Image courtesy of Light Work, Syracuse, NY. For educational purposes only.
Lewis Watts
Date: 1996
Medium: Silver gelatin print
Object number: 2020.8.18
Rain on Murray Hill
Martin Lewis
Date: 1928
Medium: Drypoint
Object number: 1991.236
Shakespear's Pound: Illuminated Cantos
Dorothy Shakespear
Date: 1999
Medium: Printed book
Object number: 2002.31
Photograph by John Bentham.
Paul Strand
Date: 1915 (published October 1916)
Medium: Photogravure on Japan paper
Object number: 1993.6
Photo by John Bentham.
Danny Lyon
Date: 1968 (printed 2011)
Medium: Gelatin silver print
Object number: 2014.7.26