Resurrection Story with Patrons

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© Kara Walker. Image courtesy Sikkema Jenkins & Co.
Resurrection Story with Patrons
© Kara Walker. Image courtesy Sikkema Jenkins & Co.
Artist/Maker (American, born 1969)
Date2017
MediumEtching with aquatint, sugar-lift, spit-bite, and drypoint
DimensionsPlate (a): 32 13/16 × 23 15/16 in. (83.3 × 60.8 cm) Sheet (a): 39 5/8 × 30 in. (100.6 × 76.2 cm) Plate (b): 32 9/16 × 42 13/16 in. (82.7 × 108.7 cm) Sheet (b): 39 11/16 × 49 1/8 in. (100.8 × 124.8 cm) Plate (c): 32 5/8 × 23 15/16 in. (82.9 × 60.8 cm) Sheet (c): 39 11/16 × 30 in. (100.8 × 76.2 cm) Frame (.a-b): 42 1/2 × 52 × 2 in. (108 × 132.1 × 5.1 cm) Frame (.c): 42 1/2 × 33 × 2 in. (108 × 83.8 × 5.1 cm)
Credit LinePurchase, William G. Roehrick '34 Art Acquisition and Preservation Fund
Object number2017.17a-c
Not on view
Description"Kara Walker created these prints following a residency at the American Academy in Rome during the Spring of 2016. The experience provided time and distance for reflection on the spate of police killings of young black men, and the persistence of such events in the United States. She delved into the power of monuments and themes of martyrdom that dominate and complicate the issue of slavery and free will. The prints (and a related class taught at Rutgers University) probe the relevance of memorials, monuments and the role such objects play in shaping collective experience. They also incorporate themes of Christianity, clearly influenced by the artist’s environs during her residency, and its complex history globally as well as in black life - in Kara’s own words, “alternating between captor and redeemer.” (SOURCE: Sikkema Jenkins & Co.)

Additional Details

Provenance 2017: Hamilton College (Ruth and Elmer Wellin Museum of Art), by purchase from Sikkema Jenkins, New York.
Signature Signed "KW2017" at lower right margin of each sheet.
Inscribed "22/25" at lower left margin of each sheet.
Photograph by John Bentham.
Helen Frankenthaler
Date: 1985 (published 1987)
Medium: Aquatint and sugar lift etching, lithograph and screenprint
Object number: 1989.13
Image courtesy of the Ruth and Elmer Museum of Art at Hamilton College, Clinton, NY. Photo by J…
Jim Dine
Date: 1984
Medium: Etching, aquatint, sugar-lift aquatint, and drypoint with power-tool abrasion
Object number: 1989.12
© Yashua Klos. Image courtesy of the Ruth and Elmer Museum of Art at Hamilton College, Clinton,…
Yashua Klos
Date: 2018
Medium: Collage with woodblock prints and graphite on paper
Object number: 2019.1
Photograph by John Bentham.
Kiki Smith
Date: 1995
Medium: Ink on handmade Japanese paper
Object number: 1998.3.5
© David Kennedy Cutler. Image courtesy of the Ruth and Elmer Wellin Museum of Art at Hamilton C…
David Kennedy Cutler
Date: 2011
Medium: Archival inkjet on Japanese paper, data of compact disks, and pigmented cotton
Object number: 2016.16
Photograph by Dave Revette
Karen Hampton
Date: 2015
Medium: Dye-sublimation print on polyester twill over archival inkjet print on silk organza, with hand-stitching
Object number: 2015.4
© Beverly Pepper.
Beverly Pepper
Date: c. 1980
Medium: Weathering (Cor-Ten) steel
Object number: 2017.6
Firenze - Chiesa di S. Croce. Una Veduta della Navata destra coi principali monumenti
Fratelli Alinari Fotografi Editori
Date: 1875-1900
Medium: Albumen print
Object number: S2018.2.680
© Craig Zammiello and the LeRoy Neiman Center for Print Studies, Columbia University School of …
Craig Zammiello
Date: 2018
Medium: Photogravure, direct gravure, spit-bite, screenprint, collage on digital chine collé
Object number: 2024.11.1
© Craig Zammiello and the LeRoy Neiman Center for Print Studies, Columbia University School of …
Craig Zammiello
Date: 2018
Medium: Photogravure, direct gravure, spit-bite, screenprint, collage on digital chine collé
Object number: 2024.11.2
Photo by John Bentham.
Henry Ossawa Tanner
Date: c. 1912
Medium: Oil on plywood
Object number: 1992.8