Rovine del Sisto, o sia della gran sala delle Terme Antoniniane (Ruins of the Xystus, the central hall of the Antoinine Baths [The Baths of Caracalla]), from the series "Vedute di Roma (Views of Rome)"

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Image Not Available for Rovine del Sisto, o sia della gran sala delle Terme Antoniniane (Ruins of the Xystus, the central hall of the Antoinine Baths [The Baths of Caracalla]), from the series "Vedute di Roma (Views of Rome)"
Rovine del Sisto, o sia della gran sala delle Terme Antoniniane (Ruins of the Xystus, the central hall of the Antoinine Baths [The Baths of Caracalla]), from the series "Vedute di Roma (Views of Rome)"
Image Not Available for Rovine del Sisto, o sia della gran sala delle Terme Antoniniane (Ruins of the Xystus, the central hall of the Antoinine Baths [The Baths of Caracalla]), from the series "Vedute di Roma (Views of Rome)"
Artist/Maker (Italian, 1720 - 1778)
Datec. 1765
MediumEtching
DimensionsComposition: 16 13/16 × 25 13/16 in. (42.7 × 65.5 cm) Sheet: 17 15/16 × 26 5/8 in. (45.5 × 67.6 cm)
Credit LineGift of Richard Griffiths, Class of 1952
Object number2010.4.3
Not on view
DescriptionWilton-Ely notes that this is now thought to be the Frigidarium.

Additional Details

Provenance 2010: Hamilton College (Fred L. Emerson Gallery), by gift of Richard Griffiths;
mid-1990s - 2010: Richard Griffiths, by gift or inheritance from Edith Grant Griffiths;
? - mid-1990s: Edith Grant Griffiths, by gift of Edward Root;
?: Edward Root.
Markings Label: adhesive label (separated from artwork by the time it entered Hamilton's collection) with "ESTABLISHED 1871 / The Veerhoff Galleries / Washington D.C.".
Published References John Wilton-Ely, GIOVANNI BATTISTA PIRANESI: THE COMPLETE ETCHINGS, vol. I (San Francisco: Alan Wofsy Fine Arts, 1994), p. 253;

Carlo A. Petrucci, CATALOGO GENERALE DELLA STAMPE TRATTE DAI RAMI INCISI POSSEDUTI DELLA CALCOGRAFIA NAZIONALE (Rome, 1953);

Arthur M. Hind, GIOVANNI BATTISTA PIRANESI: A CRITICAL STUDY WITH A LIST OF HIS PUBLISHED WORKS AND DETAILED CATALOGUES OF THE PRISONS AND THE VIEWS OF ROME (London, 1922);

Henri Focillon, GIOVANNI BATTISTA PIRANESI: ESAI DE CATALOGUE RAISONNE DE SON OEUVRE (Paris, 1918).
Signature Signed "Cavalier Piranesi F" in plate at lower right composition.
Inscribed "Rovine del Sisto, o sia della gran sala / della Terme Antoniniane" in plate at lower right composition.
Veduta dell' Anfiteatro Flavio, detto il Colosseo (View of the Falvian Amphitheater, called the Colossesum), from the series "Vedute di Roma (Views of Rome)"
Veduta dell' Anfiteatro Flavio, detto il Colosseo (View of the Falvian Amphitheater, called the Colossesum), from the series "Vedute di Roma (Views of Rome)"
Giovanni Battista Piranesi
Date: c. 1748-1778
Medium: Etching
Object number: 1984.20
Photograph by John Bentham.
Veduta dell' Anfiteatro Flavio detto Il Colosseo (View of Flavian Amphitheater, called the Colosseum), from the series "Vedute di Roma (Views of Rome)"
Giovanni Battista Piranesi
Date: 1776
Medium: Etching
Object number: 1987.14
Image Not Available for Veduta del Campidoglio di fianco (View of the Campidoglio, seen from the side), from the series "Vedute di Roma (Views of Rome)"
Veduta del Campidoglio di fianco (View of the Campidoglio, seen from the side), from the series "Vedute di Roma (Views of Rome)"
Giovanni Battista Piranesi
Date: 1775
Medium: Etching
Object number: 1987.15
Avanzi degl' Aquedotti Neroniani che si volevano distruggere per la loro vecchiezza ma per ordine di N'ro. Sig.re Papa Clemento XIV sono restati in piedi (Remains of the Aqueduct of Nero which were to be destroyed on account of their age but remained standing by order of Pope Clement XIV), from the series "Vedute di Roma (Views of Rome)"
Avanzi degl' Aquedotti Neroniani che si volevano distruggere per la loro vecchiezza ma per ordine di N'ro. Sig.re Papa Clemento XIV sono restati in piedi (Remains of the Aqueduct of Nero which were to be destroyed on account of their age but remained standing by order of Pope Clement XIV), from the series "Vedute di Roma (Views of Rome)"
Giovanni Battista Piranesi
Date: 1775
Medium: Etching
Object number: 1984.19
Image Not Available for Veduta del Tempio di Bacco, inoggi Chiea di S. Urbano, distante du miglia da Roma fuori della Porta di S. Sebastiano (View of the Temple of Bacchus, now the church of Saint Urbano, two miles distant from Rome, beyond the Porta Saint Sebastiano), from the series "Vedute di Roma (Views of Rome)"
Veduta del Tempio di Bacco, inoggi Chiea di S. Urbano, distante du miglia da Roma fuori della Porta di S. Sebastiano (View of the Temple of Bacchus, now the church of Saint Urbano, two miles distant from Rome, beyond the Porta Saint Sebastiano), from the series "Vedute di Roma (Views of Rome)"
Giovanni Battista Piranesi
Date: c. 1758
Medium: Etching
Object number: 2010.4.2
Veduta di un gran Masso, Avanzo del Sepolcro della Familia d' Metelli sulla Via Appia (View of a large structure, remains of the Tomb of the Metelli on the Appian Way)
Veduta di un gran Masso, Avanzo del Sepolcro della Familia d' Metelli sulla Via Appia (View of a large structure, remains of the Tomb of the Metelli on the Appian Way)
Giovanni Battista Piranesi
Date: c. 1752-1756
Medium: Etching
Object number: 1986.5
Image Not Available for Veduta interna del Panteon (Interior view of the Pantheon), from the series "Veduta di Roma (Views of Rome)"
Veduta interna del Panteon (Interior view of the Pantheon), from the series "Veduta di Roma (Views of Rome)"
Giovanni Battista Piranesi
Date: 1768
Medium: Etching
Object number: 2010.4.1
The Smoking Fire, plate VI from the series "Invenzioni Capric di Carceri All'Acqua Forte Datte in Luce da Giovani Buzard in Roma Mercante al Corso (Fanciful images of Prisons, etchings published by Giovanni Buzard in Rome, conducting business on the Corso)"
The Smoking Fire, plate VI from the series "Invenzioni Capric di Carceri All'Acqua Forte Datte in Luce da Giovani Buzard in Roma Mercante al Corso (Fanciful images of Prisons, etchings published by Giovanni Buzard in Rome, conducting business on the Corso)"
Giovanni Battista Piranesi
Date: 1750
Medium: Etching, engraving, and sulphur tint or open bite
Object number: 1993.2
Near Bath, Maine
Near Bath, Maine
Todd Webb
Date: June 1980
Medium: Gelatin silver print
Object number: 2021.12.349
Artwork is in the public domain. Image courtesy of the Ruth and Elmer Museum of Art at Hamilton…
Ceramic box tile from a bath
Unknown artist, Roman (Ancient)
Date: 3rd century CE
Medium: Terracotta
Object number: INV.778
The ruins of 100 Gold Street, from the series "The Destruction of Lower Manhattan"
The ruins of 100 Gold Street, from the series "The Destruction of Lower Manhattan"
Danny Lyon
Date: 1967; printed 2015
Medium: Gelatin silver print
Object number: 2019.18.56
Antelope House Ruins
Antelope House Ruins
Todd Webb
Date: 1963
Medium: Gelatin silver print
Object number: 2022.15.137