Landscape with Mary Magdalene

Skip to main content
Landscape with Mary Magdalene
Landscape with Mary Magdalene
Engraver (Italian, 1606 - 1680)
Artist/Maker (Italian, 1560 - 1609)
Date17th century
MediumEtching
DimensionsSheet: 10 3/4 × 15 1/2 in. (27.3 × 39.4 cm) Composition: 10 1/2 × 15 1/8 in. (26.7 × 38.4 cm)
Credit LinePurchase
Object number1992.52
Not on view

Additional Details

Alternate Titles The Penitent Magdalene in a Landscape
Exhibition History 1995
Clinton, NY. Fred L. Emerson Gallery (Gallery II), Hamilton College. "Landscapes from Hamilton College Collection", January 16 - April 9, 1995 (no cat.).
Provenance 1992: Hamilton College (Fred L. Emerson Gallery), by purchase from Robert Dance, Inc., New York.
Signature Signed in plate at lower left: An. Carac.
Inscribed Inscribed in plate at lower right: Gio: Iacomo Rossi formis Rome / alla Pace all insegna di Parigi / con Pruil:; in pencil on verso at lower center: B. 43.; in pencil on verso at lower right: 4042. offi; in pencil on verso at lower right: 8.-; in pencil on verso at lower right [erased]: 558.11.3
Arch Angel Uriel and Satan
Arch Angel Uriel and Satan
Francesco Bartolozzi
Date: unknown
Medium: Engraving
Object number: 1994.4
Death Mask of Napoleon
Death Mask of Napoleon
Dr. Francesco Antommarchi
Date: modeled 1821, cast 1833
Medium: Bronze
Object number: INV.417
Image Not Available for Veduta interna del Panteon (Interior view of the Pantheon), from the series "Veduta di Roma (Views of Rome)"
Veduta interna del Panteon (Interior view of the Pantheon), from the series "Veduta di Roma (Views of Rome)"
Giovanni Battista Piranesi
Date: 1768
Medium: Etching
Object number: 2010.4.1
Image Not Available for Veduta del Tempio di Bacco, inoggi Chiea di S. Urbano, distante du miglia da Roma fuori della Porta di S. Sebastiano (View of the Temple of Bacchus, now the church of Saint Urbano, two miles distant from Rome, beyond the Porta Saint Sebastiano), from the series "Vedute di Roma (Views of Rome)"
Veduta del Tempio di Bacco, inoggi Chiea di S. Urbano, distante du miglia da Roma fuori della Porta di S. Sebastiano (View of the Temple of Bacchus, now the church of Saint Urbano, two miles distant from Rome, beyond the Porta Saint Sebastiano), from the series "Vedute di Roma (Views of Rome)"
Giovanni Battista Piranesi
Date: c. 1758
Medium: Etching
Object number: 2010.4.2
Image Not Available for Rovine del Sisto, o sia della gran sala delle Terme Antoniniane (Ruins of the Xystus, the central hall of the Antoinine Baths [The Baths of Caracalla]), from the series "Vedute di Roma (Views of Rome)"
Rovine del Sisto, o sia della gran sala delle Terme Antoniniane (Ruins of the Xystus, the central hall of the Antoinine Baths [The Baths of Caracalla]), from the series "Vedute di Roma (Views of Rome)"
Giovanni Battista Piranesi
Date: c. 1765
Medium: Etching
Object number: 2010.4.3
Photograph by John Bentham.
Veduta dell' Anfiteatro Flavio detto Il Colosseo (View of Flavian Amphitheater, called the Colosseum), from the series "Vedute di Roma (Views of Rome)"
Giovanni Battista Piranesi
Date: 1776
Medium: Etching
Object number: 1987.14
Image Not Available for Veduta del Campidoglio di fianco (View of the Campidoglio, seen from the side), from the series "Vedute di Roma (Views of Rome)"
Veduta del Campidoglio di fianco (View of the Campidoglio, seen from the side), from the series "Vedute di Roma (Views of Rome)"
Giovanni Battista Piranesi
Date: 1775
Medium: Etching
Object number: 1987.15
Veduta di un gran Masso, Avanzo del Sepolcro della Familia d' Metelli sulla Via Appia (View of a large structure, remains of the Tomb of the Metelli on the Appian Way)
Veduta di un gran Masso, Avanzo del Sepolcro della Familia d' Metelli sulla Via Appia (View of a large structure, remains of the Tomb of the Metelli on the Appian Way)
Giovanni Battista Piranesi
Date: 1752-56
Medium: Etching
Object number: 1986.5
The Smoking Fire, plate VI from the series "Invenzioni Capric di Carceri All'Acqua Forte Datte in Luce da Giovani Buzard in Roma Mercante al Corso (Fanciful images of Prisons, etchings published by Giovanni Buzard in Rome, conducting business on the Corso)"
The Smoking Fire, plate VI from the series "Invenzioni Capric di Carceri All'Acqua Forte Datte in Luce da Giovani Buzard in Roma Mercante al Corso (Fanciful images of Prisons, etchings published by Giovanni Buzard in Rome, conducting business on the Corso)"
Giovanni Battista Piranesi
Date: 1750
Medium: Etching, engraving, and sulphur tint or open bite
Object number: 1993.2
Avanzi degl' Aquedotti Neroniani che si volevano distruggere per la loro vecchiezza ma per ordine di N'ro. Sig.re Papa Clemento XIV sono restati in piedi (Remains of the Aqueduct of Nero which were to be destroyed on account of their age but remained standing by order of Pope Clement XIV), from the series "Vedute di Roma (Views of Rome)"
Avanzi degl' Aquedotti Neroniani che si volevano distruggere per la loro vecchiezza ma per ordine di N'ro. Sig.re Papa Clemento XIV sono restati in piedi (Remains of the Aqueduct of Nero which were to be destroyed on account of their age but remained standing by order of Pope Clement XIV), from the series "Vedute di Roma (Views of Rome)"
Giovanni Battista Piranesi
Date: 1775
Medium: Etching
Object number: 1984.19
Veduta dell' Anfiteatro Flavio, detto il Colosseo (View of the Falvian Amphitheater, called the Colossesum), from the series "Vedute di Roma (Views of Rome)"
Veduta dell' Anfiteatro Flavio, detto il Colosseo (View of the Falvian Amphitheater, called the Colossesum), from the series "Vedute di Roma (Views of Rome)"
Giovanni Battista Piranesi
Date: c. 1748-78
Medium: Etching
Object number: 1984.20
Three-quarter view of an old man with a beard from "Raccolta di Teste"
Three-quarter view of an old man with a beard from "Raccolta di Teste"
Giovanni Domenico Tiepolo
Date: c. 1775
Medium: Etching
Object number: 1928.19