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Artist/Maker
Unknown artist
Datec. 700-950 CE
MediumCeramic with pigment
DimensionsOverall: 10 3/4 × 4 1/2 × 4 1/2 in. (27.3 × 11.4 × 11.4 cm)
Credit LineGift of Munson-Williams-Proctor Arts Institute, Museum of Art
Object number2001.1.18
Not on view
DescriptionTall cylindrical vessel with codex-style image of a seated human or diety figure (possibly Itzamná, or God D?) and glyphs framed with red bands at the rim and base. Based on the size and shape, this was possibly a cacao / chocolate drinking cup.
Although painting was at the forefront of the arts of the Maya, only a small portion of it remains, in part because the frescoes on which it was typically practiced have failed to survive environmental exposure over the centuries. In addition, missionaries from Spain and other colonial powers destroyed much of the canon of Maya codex painting upon contact. Ceramics such as this vase are invaluable, therefore, as well-preserved examples of the art form. The vessel’s shape and decoration, including the red-painted rim, are standard for the era in which it was produced. In this case, the primary hieroglyphic text is contained within fine, black, double horizontal lines. Maya vessels and bowls typically have a repetitious inscription around the rim that may identify the type of vessel and/or name its owner, who is also depicted below. Here, profile depictions of a ruler seated cross-legged on a throne, with a bowl of food beneath (or beside) him, appear on opposite sides of the vessel, separated by two vertical registers of glyphs. Most polychrome ceramics made by the Maya fulfilled a ritual purpose, and this one probably held a cacaobased beverage during ceremonies. In 2001, the Munson-Williams-Proctor Arts Institute Museum of Art deaccessioned its “PreColumbian”
collection, having determined that it was outside the museum’s mission, and gave forty ceramics to Hamilton College, including this vase. (SOURCE: Alcauskas, INNOVATIVE APPROACHES, HONORED TRADITIONS, 2017)
Collections
Additional Details
Exhibition History
2017
Clinton, NY (Ruth and Elmer Wellin Museum of Art, Hamilton College). "Innovative Approaches, Honored Traditions: The Ruth and Elmer Wellin Museum of Art at Five Years, Highlights from the Permanent Collection," September 9 - December 10, 2017 (cat. no. 17, illus.);
2010
Clinton, NY (Fred L. Emerson Gallery, Hamilton College). "Look Up. Visions of Earth-Sky: Mesoamerica and the Cosmos," January 18 - April 18, 2010 (no cat.).
Clinton, NY (Ruth and Elmer Wellin Museum of Art, Hamilton College). "Innovative Approaches, Honored Traditions: The Ruth and Elmer Wellin Museum of Art at Five Years, Highlights from the Permanent Collection," September 9 - December 10, 2017 (cat. no. 17, illus.);
2010
Clinton, NY (Fred L. Emerson Gallery, Hamilton College). "Look Up. Visions of Earth-Sky: Mesoamerica and the Cosmos," January 18 - April 18, 2010 (no cat.).
Provenance
2001: Hamilton College (Fred L. Emerson Gallery), by gift of Munson-Williams-Proctor Arts Institute. Gift of Francis and Lilly Robicsek.
Published References
Katherine D. Alcauskas, INNOVATIVE APPROACHES, HONORED TRADITIONS: THE RUTH AND ELMER WELLIN MUSEUM OF ART AT FIVE YEARS, HIGHLIGHTS FROM THE PERMANENT COLLECTION (Clinton, NY: Wellin Museum of Art, 2017), p. 74.
Inscribed
"93.8.20" on bottom at edge in red paint.
Unknown artist
Date: c. 4th-5th century CE
Medium: Blown glass with trailing
Object number: 1929.102
Unknown artist
Date: c. 4th century CE
Medium: Blown glass with trailing
Object number: 1929.107
Unknown artist
Date: c. 350-325 BCE
Medium: Terracotta with slip
Object number: 1929.44
Unknown artist
Date: c. 4th-5th century CE
Medium: Blown glass with trailing
Object number: 1929.116