Los Disciplinantes

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Los Disciplinantes
Los Disciplinantes
Artist/Maker (Francisco Goya, Spanish, 1746 - 1828)
Photographer (Spanish; active 20th century)
Date1915-1960
MediumGelatin silver print
DimensionsOverall: 6 1/2 × 9 1/4 in. (16.5 × 23.5 cm)
Credit LineGift of James Garfinkel, Class of 1980; Transferred from the Art History Department
Object numberS2018.2.725
Not on view
DescriptionPhotograph of Goya's painting of self-flagellating penitents.
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Additional Details

Provenance 2018: Ruth and Elmer Wellin Museum of Art, by transfer from the Art History Department;
likely by 1985 - 2018: Hamilton College (Art History department), by gift of James Garfinkel;
c. 1981-85: James Garfinkel, likely by purchase at auction in London.
Markings Recto, lower right corner (embossed): "M. MORENO / MADRID"
Verso, lower right corner (purple stamp): "M. Moreno / Plaza de las Cortes, 8 / MADRID"
Inscribed Recto, lower center: "GOYA.-168. - Los Disciplinantes (Academia de S. Fernando)." Verso, upper left corner (pencil): "APJ"
A Village Bullfight
A Village Bullfight
Francisco Goya
Date: 1875-1900
Medium: Gelatin silver print
Object number: S2018.2.722
Señor Dn. Fr. Miguel Fernandez Obispo de Marcopolis, Administrador Apostolico de Quito
Señor Dn. Fr. Miguel Fernandez Obispo de Marcopolis, Administrador Apostolico de Quito
Francisco Goya
Date: 1890-1910
Medium: Gelatin silver print
Object number: S2018.2.724
Ni mas ni menos (Neither more nor less), plate 41 from the series Los Caprichos (Whims)
Ni mas ni menos (Neither more nor less), plate 41 from the series Los Caprichos (Whims)
Francisco Goya
Date: 1797-98, published 1878 or 1881
Medium: Etching, burnished aquatint, drypoint, and engraving on paper
Object number: 1985.30
Photograph by John Bentham.
Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls), plate 17 from "La Tauromaquia" (The Bullfight)
Francisco Goya
Date: 1815, first published 1816
Medium: Etching and aquatint on paper
Object number: 1928.8
Que se rompe la cuerda (May the Cord Break), plate 77 from the series "Desastres de la Guerra (Disasters of War)"
Que se rompe la cuerda (May the Cord Break), plate 77 from the series "Desastres de la Guerra (Disasters of War)"
Francisco Goya
Date: 1810-20, printed 1906
Medium: Etching and aquatint on paper
Object number: 1997.6.2
La Casa de Locos
La Casa de Locos
M. Moreno
Date: 1875-1900
Medium: Gelatin silver print
Object number: S2018.2.721
Image courtesy of the Ruth and Elmer Museum of Art at Hamilton College, Clinton, NY. Photo by J…
Mulgrew's Motion (Mulgrew Miller), Los Angeles
Gerald Cyrus
Date: 1986
Medium: Gelatin silver print
Object number: 2019.5.1
Ventana a los Magueyes (Window on the Agaves)
Ventana a los Magueyes (Window on the Agaves)
Manuel Álvarez Bravo
Date: 1976, printed c. 1977
Medium: Gelatin silver print
Object number: 1980.2.3
Diá de Todos los Muertos (Day of All Dead)
Diá de Todos los Muertos (Day of All Dead)
Manuel Álvarez Bravo
Date: 1933, printed c. 1977
Medium: Gelatin silver print
Object number: 1980.2.8
Portrait #3, Los Angeles, 1989
Portrait #3, Los Angeles, 1989
Jonathan Reff
Date: 1989
Medium: Gelatin silver print
Object number: 1991.188
Portrait #10, Los Angeles
Portrait #10, Los Angeles
Jonathan Reff
Date: 1989
Medium: Gelatin silver print
Object number: 1991.189
© Walter Iooss. Image courtesy of the Ruth and Elmer Museum of Art at Hamilton College, Clinton…
Swimmers, Los Angeles Olympics
Walter Iooss
Date: 1984
Medium: Archival inkjet print
Object number: 2017.23.8