The parish priest Ramonet: "I left for the Ile de Sein with a book on Gurdjieff that was supposed to get me back into shape. I barely looked at it. Thanks to Felix Guilcher, a real, lyrical and discreet hero, a rare friend discovered over there, to a Parish Priest, and to all the islanders, more islander than Breton, I soon felt quite at home, something quite unexpected, indeed inconceivable. Happy and calm, I was protected from the distant continent by a superb and pitiless sea. On Sein, I finally told myself "they'll never get me!". I'll never be able to repay my debt to the Sein Islanders for what they gave me

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The parish priest Ramonet: "I left for the Ile de Sein with a book on Gurdjieff that was supposed to get me back into shape. I barely looked at it. Thanks to Felix Guilcher, a real, lyrical and discreet hero, a rare friend discovered over there, to a Parish Priest, and to all the islanders, more islander than Breton, I soon felt quite at home, something quite unexpected, indeed inconceivable. Happy and calm, I was protected from the distant continent by a superb and pitiless sea. On Sein, I finally told myself "they'll never get me!". I'll never be able to repay my debt to the Sein Islanders for what they gave me
The parish priest Ramonet: "I left for the Ile de Sein with a book on Gurdjieff that was supposed to get me back into shape. I barely looked at it. Thanks to Felix Guilcher, a real, lyrical and discreet hero, a rare friend discovered over there, to a Parish Priest, and to all the islanders, more islander than Breton, I soon felt quite at home, something quite unexpected, indeed inconceivable. Happy and calm, I was protected from the distant continent by a superb and pitiless sea. On Sein, I finally told myself "they'll never get me!". I'll never be able to repay my debt to the Sein Islanders for what they gave me
Artist/Maker (French, 1921 – 2004)
Date1956
MediumVintage gelatin silver print
DimensionsOverall: 6 × 9 1/8 in. (15.2 × 23.2 cm) Image: 6 × 9 1/8 in. (15.2 × 23.2 cm)
Credit LineGift of Thomas J. Wilson and Jill M. Garling, P2016
Object number2022.15.197
Not on view
Collections

Additional Details

Provenance 2022: Hamilton College (Ruth and Elmer Wellin Museum of Art)
Provenance: from the collection of Charles-Henri Favrod, the founding director of the Musée de l'Elysée de la Photographie in Lausanne, Switzerland
Markings Verso, bottom left (blue stamp): "TIRAGE POUR / REPRODUCTION / SEULEMENT / VENTE INTERDITE"
Verso, center (blue stamp): "© Jean-Philippe CHARBONNIER / 1, Rue du Pent Louis-Philipe. 75004 PARIS / Tel. 277,37,73 FRANCE"
Verso, bottom center: "PRIERE DE RETOURNER A PLEASE RETURN TO"
Published References Illustrated: Charbonnier, Jean-Philippe. Jean-Philippe Charbonnier - Photographs. Musee D'Art Moderne de la Ville de Paris, 1983, pl. 140
Inscribed Verso, top center: "FCC F 851"
Verso, top center: "1956 / ISLANDO / SEIN (Brittany)"
Verso, top center: "2226 / 27"
Verso, bottom left: "JC-F-12 3500"
An officer told me, "I get home after a drunk has spewed all over me and the wife says I stink; she doesn't want me near her. I smell of vomit, shit.", NYC
An officer told me, "I get home after a drunk has spewed all over me and the wife says I stink; she doesn't want me near her. I smell of vomit, shit.", NYC
Leonard Freed
Date: 1978
Medium: Vintage gelatin silver print
Object number: 2023.12.150
Pigeonnet, je suis innonde, et je souscris en ma faveur.....hatons-nous de me porter les premiers secours. (Pigeonnet, I am overwhelmed, and I am subscribing in my favor.....let us speed up to bring me help.)
Pigeonnet, je suis innonde, et je souscris en ma faveur.....hatons-nous de me porter les premiers secours. (Pigeonnet, I am overwhelmed, and I am subscribing in my favor.....let us speed up to bring me help.)
Paul Gavarni
Date: 1855
Medium: Lithograph on paper
Object number: 1988.13
Madman in the straw: "a sinister corridor. From behind heavy doors escape the repulsive groans and sickening odors of the mad vomiters doing a cure of disgust (on cheap wine). Behind the last door, a premature madman, naked in the straw. I photographed him through the thick murky glass of his spyhole, licked again and again, without seeing anything (reflex cameras didn't exist at the time). At 2 am, I finally convince the charming head doctor, worn down by my arguments, to let me take the picture in my own way", Psychiatric hospital
Madman in the straw: "a sinister corridor. From behind heavy doors escape the repulsive groans and sickening odors of the mad vomiters doing a cure of disgust (on cheap wine). Behind the last door, a premature madman, naked in the straw. I photographed him through the thick murky glass of his spyhole, licked again and again, without seeing anything (reflex cameras didn't exist at the time). At 2 am, I finally convince the charming head doctor, worn down by my arguments, to let me take the picture in my own way", Psychiatric hospital
Jean-Philippe Charbonnier
Date: 1954
Medium: Vintage gelatin silver print
Object number: 2022.15.198
The man was found lying in the street. He will be sent to a hospital. "I don't smoke, but I carry a pack with me. They're useful in such situations," said the officer, from the series "Police Work"
The man was found lying in the street. He will be sent to a hospital. "I don't smoke, but I carry a pack with me. They're useful in such situations," said the officer, from the series "Police Work"
Leonard Freed
Date: 1976
Medium: Gelatin silver print
Object number: 2015.12.22
Photograph by John Bentham.
i will never smile again
Vanessa German
Date: 2016
Medium: Mixed-media assemblage
Object number: 2016.15
Satan, Don’t Get Thee Behind Me!, from "Harper's Weekly"
Satan, Don’t Get Thee Behind Me!, from "Harper's Weekly"
Thomas Nast
Date: published August 17, 1872
Medium: Wood engraving on newsprint
Object number: 2019.13.197
Image courtesy of the Ruth and Elmer Museum of Art at Hamilton College, Clinton, NY. Photo by B…
As long as I can work here I will. It's better than housework. Cauliflower packing is hard work but I don't even think about it. My hands go through the motions, my mind's somewhere else. The season lasts six months, then I pack tomatoes and collect unemployment for the rest of the year., from the series "Working"
Bill Owens
Date: 1975 (printed later)
Medium: Gelatin silver print
Object number: 2018.12.84
I like working at the shelter workshop. I can be productive and be part of the community. I make money and pay my own way. On my days off I watch TV, ride my bike and write letters to my friends. Someday I'm thinking of getting married.
I like working at the shelter workshop. I can be productive and be part of the community. I make money and pay my own way. On my days off I watch TV, ride my bike and write letters to my friends. Someday I'm thinking of getting married.
Bill Owens
Date: 1975
Medium: Gelatin silver print
Object number: 2023.12.65
Image courtesy of the Ruth and Elmer Wellin Museum of Art at Hamilton College, Clinton, NY. For…
As a receptionist in a dentist's office I know that people are often anxious when they come in for a visit, so during the holidays I go all out to decorate the waiting room. I love to see the expression on their faces when they check out our Christmas tree., from the series "Working"
Bill Owens
Date: 1975 (printed later)
Medium: Gelatin silver print
Object number: 2019.18.63
Image courtesy of the Ruth and Elmer Museum of Art at Hamilton College, Clinton, NY. Photo by B…
The last thing I did before leaving for San Francisco after my dad died was watch fireworks explode over the St. Louis arch on the Fourth of July. Two days later I crested a hill on Route 80 and saw the expanse of San Francisco Bay for the first time. It was so beautiful I cried. St. Louis, Missouri, from the series "Leisure"
Bill Owens
Date: 1976 (printed later)
Medium: Gelatin silver print
Object number: 2018.12.93
I've taught several of the Red Cross Child Education courses. They are open to the general public and they are free. It takes courage for people to say I don't know how to take care of a new born infant. In six lessons, I teach them about pregnancy, labor, delivery, nutrition of the mother and newborn, the first week of life, and growth and development in the first year. Most people leave the course with confidence to become effective parents. Tri-Valley Area, Northern California,
I've taught several of the Red Cross Child Education courses. They are open to the general public and they are free. It takes courage for people to say I don't know how to take care of a new born infant. In six lessons, I teach them about pregnancy, labor, delivery, nutrition of the mother and newborn, the first week of life, and growth and development in the first year. Most people leave the course with confidence to become effective parents. Tri-Valley Area, Northern California,
Bill Owens
Date: 1969-75
Medium: Gelatin silver print
Object number: 2018.12.88
I am an old fashioned tinker. I sell pots and pans. Not just ordinary pots and pans but space age utensils.
I am an old fashioned tinker. I sell pots and pans. Not just ordinary pots and pans but space age utensils.
Bill Owens
Date: 1975 (printed later)
Medium: Gelatin silver print
Object number: 2019.18.71